芳心封鎖

《芳心封鎖》讲述的是什么故事？

《芳心封鎖》The issu;/e of @]?War widow represent?# at -io+n in Is*r[aeli cinema is one of- the most comple(x for the l_ocal indus.try for it se^ ems to be unique and wit?[h_ a very =@#lo!cal and specific icon[%/\ography.　?/\`　The war Widow i!s a difficult character ;*to digest.
@\Because t h_- %is is an e$/spe?cially$[ painful top/)ic in Israel, its@@ ! mode of -[,\representation is almost alway)s ,proble]matic.　*
[:　Gil:=a Almagor in Tofan+]`o's siege is one of th.*e,  f+\;irs ?t% char;acte_;]rs of the; m`+(^odern war wi@?d;\ows %/\to a_-!pp-
[ear on I!sr%aeli (-ci#_,ne@ma screens.　　Th.e+ h+um*#an ( a[nd socia!l comp$,\lexity:^ `\of) the status of  wid_o%=ws was n ot represented?  adequately(#?= and per?sonally
-/ until ^-her complex`: and f#,ine app[,[#ea+,ran*c
e in this :f[#`^@ilm.))　　It wa
(]s m\*ostly Prec;\eded 
by clic`hes]. of heroic#\$ wome +n* who hav/`e s
@acrificed for the ].nation with charac$t ers-` to `_%which it was  ve
,*r_y diff /`icult? to get; attached, n#:or =##to their pe?,:)rso=#-:nal grief.　　Sie#!ge !/(w as direct+?`ed by a^`);n$ un+?!known Italian d%`[i.]^-rector of t^?.%hat period. Alth
ou`gh #;/Gil[berto ;Tofano was bro:`@ught a.s a pro. fe[-
ssiona^l director on[ t:he% wings of-( insp^iration made by th e French New Wave of th+*%os`e yea!^@rs, !/he^\ managed to tu+
^+n out a ve(=ry exci.t[*ing work_ whic,;?h
%\ has c-_aught the Israe:(*!li %warmth_* and $.+sens$e of!; social siege whic_h surr-]ounds th%e Isra(%el_\i widows, including the ;%+great ex, pectations from them+. \ and*# the socia. l stigmas%.　　Tofano w-_+rappe;d his le,ad-\.]ing,_ lady wit#h lot:s of war?]mth and ]gave  ?[=a pl@ace of ho=#nor to Alm
\agor's impressi \-ve presence in :#+the film@+/.　　$@This is with%out a?)_ ._d@oubt one of .*;Al^magor'%s(; -:.best and --most accur,[]]ate  %performances. The restraint in  %he$r performance plus t_[he shooting !and expressive u\;^se of an,\gles ^=`b\+y
/ Tofano and his so: ft[ .Europ+ea.$n tou?/c^+h whic+--h wa-s far;/_# off fr/om the aggressive local product m[ #anaged : t ;o [ p/=ro/duc^-@e a sen se of documenting an au:thentic tragedy w
-ith !a ta[`ng, i^`ble personal), to, uch that minimize-!d the n  ational di`[mensio
.?;n. ,The r( e ,sult stands ^;the test of tim,e prou*,d %ly se;veral dec.@@ades after its creation.

一、《芳心封鎖》是哪一年上映的？

《芳心封鎖》是Gilberto,Tofano于1969年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《芳心封鎖》上映时票房稳坐前三，创下当年纪录。当时Gila,Almagor均为最佳主角，Gila,Almagor以精彩演技和突出形象，奠定在其它影坛地位。Gila,Almagor饰演角色造型多年后仍为人所模仿。Gilberto,Tofano之前曾被人怀疑其能力，而《芳心封鎖》却奠定Gilberto,Tofano剧情片风格。《芳心封鎖》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1969年代）其它（其它）优秀剧情片齐名。

二、被称为剧情片的开先河之作的《芳心封鎖》，是Gilberto,Tofano最好的作品吗?

从Gilberto,Tofano斩获剧情片最佳导演 我就觉得这部《芳心封鎖》是他最好的剧情片。虽然Gilberto,Tofano后来还拍出来了评价特别好的剧情片，但是《芳心封鎖》是他剧情片的代表作品。

三、《芳心封鎖》为什么可以成为经典？

提起其它，人们就肯定会说出《芳心封鎖》的名字。这部由Gilberto,Tofano导演，Gila,Almagor主演的《芳心封鎖》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Gilberto,Tofano导演和Gila,Almagor，都没想到这部剧情片会得到这样好的反响。Gilberto,Tofano先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《芳心封鎖》开拍之前，Gila,Almagor已经有几年年无戏可拍，而Gila,Almagor主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《芳心封鎖》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！

四、如何评价《芳心封鎖》?

《芳心封鎖》口碑非常好深受广大观众喜爱，《芳心封鎖》一经播放立刻引来无数人点赞，不仅Gila,Almagor演的好而且该剧情片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《芳心封鎖》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Gila,Almagor，她在该剧情片中的演技可圈可点，受到Gila,Almagor演的好而且该剧情片迷的认可。

五、《芳心封鎖》剧情片的主要内容

《芳心封鎖》是一部剧情片剧情片，由导演：Gilberto,Tofano执导，主演：Gila,Almagor

《芳心封鎖》The issu;/e of @]?War widow represent?# at -io+n in Is*r[aeli cinema is one of- the most comple(x for the l_ocal indus.try for it se^ ems to be unique and wit?[h_ a very =@#lo!cal and specific icon[%/\ography.　?/\`　The war Widow i!s a difficult character ;*to digest.
@\Because t h_- %is is an e$/spe?cially$[ painful top/)ic in Israel, its@@ ! mode of -[,\representation is almost alway)s ,proble]matic.　*
[:　Gil:=a Almagor in Tofan+]`o's siege is one of th.*e,  f+\;irs ?t% char;acte_;]rs of the; m`+(^odern war wi@?d;\ows %/\to a_-!pp-
[ear on I!sr%aeli (-ci#_,ne@ma screens.　　Th.e+ h+um*#an ( a[nd socia!l comp$,\lexity:^ `\of) the status of  wid_o%=ws was n ot represented?  adequately(#?= and per?sonally
-/ until ^-her complex`: and f#,ine app[,[#ea+,ran*c
e in this :f[#`^@ilm.))　　It wa
(]s m\*ostly Prec;\eded 
by clic`hes]. of heroic#\$ wome +n* who hav/`e s
@acrificed for the ].nation with charac$t ers-` to `_%which it was  ve
,*r_y diff /`icult? to get; attached, n#:or =##to their pe?,:)rso=#-:nal grief.　　Sie#!ge !/(w as direct+?`ed by a^`);n$ un+?!known Italian d%`[i.]^-rector of t^?.%hat period. Alth
ou`gh #;/Gil[berto ;Tofano was bro:`@ught a.s a pro. fe[-
ssiona^l director on[ t:he% wings of-( insp^iration made by th e French New Wave of th+*%os`e yea!^@rs, !/he^\ managed to tu+
^+n out a ve(=ry exci.t[*ing work_ whic,;?h
%\ has c-_aught the Israe:(*!li %warmth_* and $.+sens$e of!; social siege whic_h surr-]ounds th%e Isra(%el_\i widows, including the ;%+great ex, pectations from them+. \ and*# the socia. l stigmas%.　　Tofano w-_+rappe;d his le,ad-\.]ing,_ lady wit#h lot:s of war?]mth and ]gave  ?[=a pl@ace of ho=#nor to Alm
\agor's impressi \-ve presence in :#+the film@+/.　　$@This is with%out a?)_ ._d@oubt one of .*;Al^magor'%s(; -:.best and --most accur,[]]ate  %performances. The restraint in  %he$r performance plus t_[he shooting !and expressive u\;^se of an,\gles ^=`b\+y
/ Tofano and his so: ft[ .Europ+ea.$n tou?/c^+h whic+--h wa-s far;/_# off fr/om the aggressive local product m[ #anaged : t ;o [ p/=ro/duc^-@e a sen se of documenting an au:thentic tragedy w
-ith !a ta[`ng, i^`ble personal), to, uch that minimize-!d the n  ational di`[mensio
.?;n. ,The r( e ,sult stands ^;the test of tim,e prou*,d %ly se;veral dec.@@ades after its creation.