剧情简介
《盲目 的丈夫们》讲述的是什么故事？
《盲目 的丈夫们》Two =+ d([ iffer^ ences betw/een this Austria@n ^*@/vers%/ion and #the generally available!` Amer_. !ican ve$rsion are immed iat,)ely obvious they # differ both in t+heir length an? d in the l: ang: uage of the intert:,itles. The American* v, ersion ,`*is on]\ly 1(),883 metr @!?es l(_$ong -,\ at 18 fra]/me;s per s*econ.!,d * @+a d(ifference o\f some 7 minutes to the =\Austrian vers$ i on ]with 2,04\%5 metres. Whereas we or_; ig!$?inal/ly presumed o$*nly a n?@@e$gli gible differ#:^;ence,[+ resulting f_rom t_he va rying len!.gth ?%]of the in]tertitle@*`s(, $,%a *,direct ? /comparison has neverthe)=less shown that the Au$\?strian version diffe ?/rs from the Ame ]^ r(-;i]!can versio(n # bot *`(h _in the; m^)%^%ont]age ( a#-(nd in the dura .?tion of individual s $; cenes. (_:Yet how could i?t happe+n th at t $he later reg, ``ional d/# istribution * of# .; a can%,onical US s/ilent film w$+as longer [./than #, -the or(igi(`nal v ) +ersion The prevalent \:^!Amer? [ican=) ve=rsion o f , Blind- H,[ usban@`ds does not corre`@\ spond to the version s. hown at the premiere of =1919. This little-known\ fact,%] was already pu(blished by` Richar$d Kos% =z [*arski in 19\*83. T, he fil m was re-relea^^=se( d b) y Un!#$iversal Pic@`tures in .1924,)]\ $ in a v[ersion` that was 1,*3[^65 (- ]f eet (.416 metres) s] hort= er. At *18 f _=![rame%s per se$con%!d :, thi:-s amounts to a time di *ff erence of 20 minutes! T_itles were al.tered, \-=snipp]ets of ac :)#ti##on removed and at least one ma*# jor scene%^ taken;/ ( out enti))rely, where von S`(teu ?)#ben a .nd Ma.rga[)ret v*.isit a sma (ll loc#=#al chape [l. (Kosza/rs== ki) F=r[[om the%% p^ resen* )t state^ of.) res`ea# rch we can assume that(: $all the known A*merican copies of the f$ilm der[i+?[ve from this sh+;.ortene!-$-d . @[re-r ^ele /ase vers+ i#+on, a copy of which .`Universa[ l d* ( =on_ # /ated to the Museum of Mo/+^der*n Art in 194#!]1. Accordin`g to:;= Kos.?/=zars$ki the original$/ _ negati^_ve of the film [( was de^s/_$ tr%oy,=]* ed sometime betw ^een`[ 19\56 and 1961?, and ha s therefo)re b;+een irretrievably lost. This informati on c+asts an /+in (!teresti!+ng light :/?on ?the Au @str),+ian version, whic /+;h can;//- be$\/. dated$! to the peri /[ od be+#twee -n the ]summer of 19? /2^ !1 and t)@^he wi#;nt+$^\er o= f 1] 922. Furthermore, (the copy i; s som!e 2*\00 metr./]es lo-:nge;$r than the US versio:,)n of 1924. I / f o ne follows= ( `+the d#,e`^tails+[ given by R*]ic ?^hard Koszarski and ;Arth:%#ur Le,]#nn!/i?^g,#: + th is means that, as@?\ far as both /i?;ts date and its `, ^leng th are)#` conce=(/,rned, the) Austrian version li`es almost exactl@y in the*: middle =\betw_*een th (;e (los-/?t) v@ ersion^ shown _ at th;- ? e premi#.= ere a*n #d the re-re% leased -,%one.A larg e part of@. the a [$+ddit).ional le:*ng th of the film can be /traced !to cu !(ts that were m ] [ade t]!/.o t)%/\he .$!1/924]_ versio n -in almost ev. ery shot.[ K#os$ zarski descri ]be_s how@ the + b :eginni)ng _and the ` end of _scenes w@#ere trimm=,ed :, in order to s pe %ed up the $ film. However, more e? xci^^t=ing wa ] s the disco/very that the A._/ust*rian versi^/ on contains sh_ots that are missing in/ the [Americ=an one - shotscounte//_rshots, intertitles - ]and f)u rt %]hermor* e shows di_ *fferen#ces ,=in ; its mon@:-tage) (,\i.e. the placing of the individua`#l sh*/ ots with\_[ in a% sequence). A+ ll this[+ [ indica[ te@@s that- `Die:*#[ Ra(^c!$he der_] Berge c o,!nst/it,,u@ : te` # s t#@**/he o+ ldest and mo,]:st complete. ly- prese= ,rved material=# -%of the fi\: lm.
一、《盲目 的丈夫们》是哪一年上映的？
《盲目 的丈夫们》是埃里克·冯·施特罗海姆于1919年拍摄的一部经典剧情片。此片开创美国当代剧情片的先河，《盲目 的丈夫们》上映时票房稳坐前三，创下当年纪录。当时萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming均为最佳主角，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming以精彩演技和突出形象，奠定在美国影坛地位。萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming饰演角色造型多年后仍为人所模仿。埃里克·冯·施特罗海姆之前曾被人怀疑其能力，而《盲目 的丈夫们》却奠定埃里克·冯·施特罗海姆剧情片风格。《盲目 的丈夫们》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1919年代）美国（美国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《盲目 的丈夫们》，是埃里克·冯·施特罗海姆最好的作品吗?
从埃里克·冯·施特罗海姆斩获剧情片最佳导演 我就觉得这部《盲目 的丈夫们》是他最好的剧情片。虽然埃里克·冯·施特罗海姆后来还拍出来了评价特别好的剧情片，但是《盲目 的丈夫们》是他剧情片的代表作品。
三、《盲目 的丈夫们》为什么可以成为经典？
提起美国，人们就肯定会说出《盲目 的丈夫们》的名字。这部由埃里克·冯·施特罗海姆导演，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming主演的《盲目 的丈夫们》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连埃里克·冯·施特罗海姆导演和萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming，都没想到这部剧情片会得到这样好的反响。埃里克·冯·施特罗海姆先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《盲目 的丈夫们》开拍之前，萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming已经有几年年无戏可拍，而萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《盲目 的丈夫们》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《盲目 的丈夫们》?
《盲目 的丈夫们》口碑非常好深受广大观众喜爱，《盲目 的丈夫们》一经播放立刻引来无数人点赞，不仅萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming演的好而且该剧情片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《盲目 的丈夫们》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming，她在该剧情片中的演技可圈可点，受到萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming演的好而且该剧情片迷的认可。
五、《盲目 的丈夫们》剧情片的主要内容
《盲目 的丈夫们》是一部剧情片剧情片，由导演：埃里克·冯·施特罗海姆执导，主演：萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming
《盲目 的丈夫们》Two =+ d([ iffer^ ences betw/een this Austria@n ^*@/vers%/ion and #the generally available!` Amer_. !ican ve$rsion are immed iat,)ely obvious they # differ both in t+heir length an? d in the l: ang: uage of the intert:,itles. The American* v, ersion ,`*is on]\ly 1(),883 metr @!?es l(_$ong -,\ at 18 fra]/me;s per s*econ.!,d * @+a d(ifference o\f some 7 minutes to the =\Austrian vers$ i on ]with 2,04\%5 metres. Whereas we or_; ig!$?inal/ly presumed o$*nly a n?@@e$gli gible differ#:^;ence,[+ resulting f_rom t_he va rying len!.gth ?%]of the in]tertitle@*`s(, $,%a *,direct ? /comparison has neverthe)=less shown that the Au$\?strian version diffe ?/rs from the Ame ]^ r(-;i]!can versio(n # bot *`(h _in the; m^)%^%ont]age ( a#-(nd in the dura .?tion of individual s $; cenes. (_:Yet how could i?t happe+n th at t $he later reg, ``ional d/# istribution * of# .; a can%,onical US s/ilent film w$+as longer [./than #, -the or(igi(`nal v ) +ersion The prevalent \:^!Amer? [ican=) ve=rsion o f , Blind- H,[ usban@`ds does not corre`@\ spond to the version s. hown at the premiere of =1919. This little-known\ fact,%] was already pu(blished by` Richar$d Kos% =z [*arski in 19\*83. T, he fil m was re-relea^^=se( d b) y Un!#$iversal Pic@`tures in .1924,)]\ $ in a v[ersion` that was 1,*3[^65 (- ]f eet (.416 metres) s] hort= er. At *18 f _=![rame%s per se$con%!d :, thi:-s amounts to a time di *ff erence of 20 minutes! T_itles were al.tered, \-=snipp]ets of ac :)#ti##on removed and at least one ma*# jor scene%^ taken;/ ( out enti))rely, where von S`(teu ?)#ben a .nd Ma.rga[)ret v*.isit a sma (ll loc#=#al chape [l. (Kosza/rs== ki) F=r[[om the%% p^ resen* )t state^ of.) res`ea# rch we can assume that(: $all the known A*merican copies of the f$ilm der[i+?[ve from this sh+;.ortene!-$-d . @[re-r ^ele /ase vers+ i#+on, a copy of which .`Universa[ l d* ( =on_ # /ated to the Museum of Mo/+^der*n Art in 194#!]1. Accordin`g to:;= Kos.?/=zars$ki the original$/ _ negati^_ve of the film [( was de^s/_$ tr%oy,=]* ed sometime betw ^een`[ 19\56 and 1961?, and ha s therefo)re b;+een irretrievably lost. This informati on c+asts an /+in (!teresti!+ng light :/?on ?the Au @str),+ian version, whic /+;h can;//- be$\/. dated$! to the peri /[ od be+#twee -n the ]summer of 19? /2^ !1 and t)@^he wi#;nt+$^\er o= f 1] 922. Furthermore, (the copy i; s som!e 2*\00 metr./]es lo-:nge;$r than the US versio:,)n of 1924. I / f o ne follows= ( `+the d#,e`^tails+[ given by R*]ic ?^hard Koszarski and ;Arth:%#ur Le,]#nn!/i?^g,#: + th is means that, as@?\ far as both /i?;ts date and its `, ^leng th are)#` conce=(/,rned, the) Austrian version li`es almost exactl@y in the*: middle =\betw_*een th (;e (los-/?t) v@ ersion^ shown _ at th;- ? e premi#.= ere a*n #d the re-re% leased -,%one.A larg e part of@. the a [$+ddit).ional le:*ng th of the film can be /traced !to cu !(ts that were m ] [ade t]!/.o t)%/\he .$!1/924]_ versio n -in almost ev. ery shot.[ K#os$ zarski descri ]be_s how@ the + b :eginni)ng _and the ` end of _scenes w@#ere trimm=,ed :, in order to s pe %ed up the $ film. However, more e? xci^^t=ing wa ] s the disco/very that the A._/ust*rian versi^/ on contains sh_ots that are missing in/ the [Americ=an one - shotscounte//_rshots, intertitles - ]and f)u rt %]hermor* e shows di_ *fferen#ces ,=in ; its mon@:-tage) (,\i.e. the placing of the individua`#l sh*/ ots with\_[ in a% sequence). A+ ll this[+ [ indica[ te@@s that- `Die:*#[ Ra(^c!$he der_] Berge c o,!nst/it,,u@ : te` # s t#@**/he o+ ldest and mo,]:st complete. ly- prese= ,rved material=# -%of the fi\: lm.