剧情简介
《拉莉/*:萨》讲述的是什么故事？
《拉莉/*:萨》A lo_ vi#)ng film tribute to Russian `fil_:`m^ make+r L?;[arisa Shepi^: t. ko , who died tra]$gically in a car )acc!)(ident in 1979 ;$.a t the a$-#ge# of 40. T,his = \d ocumen ]tary by _@he!@r hu.!sband, Elem Klimov, inc` ,ludes exc! erpts f rom all of Shepit ko's fil,]m s,_ and h#*e@%= r own_?\ v;*^oice-) ` is ?: heard tal`#/ki\ ng abou %t her life and art. El#em Kl)im+%ov' .@s grief-stri^`cken elegy Larisa ex* amines the life%` of his late w]if[ _#e—:[\t/he,@ fil++m d` =+i.^rector L)a!ris ]a Shepitko—through a series+ of di ;_%rect-add`ress in+ terv.;?(iews (,and photomo*.:ntages, #//set agai!/; n st a - mournful visual-musical backdrop. Typic $a-l]+@ly, Klim$ov films hi-s @su^bjects% (whic: h inclu[de himself a(nd severa;=l of Sh*ep`i= tko's collaborato %r::s) within a stark, snow-covered forest, its tangled w^eb of _ ]trees )+standi /!ng in ?as me)t! aphorica@!)l !%,rep.res+ en\ta.!# tion o \f a [* pe$ rhaps inexpressible ,]suff:er `\,ing, _` \the result `of Shepitko's pr.]emature ` @ death ?,:. while filmin*g her? -_adaptati[ on_.% of Valen` tin Rasput. in's!, novella :-(Far .ewell to Matyo ;r *:$a. Inter`/wea:vi#ng home /movie fo, ot`=age with )sequen(? ces from=+* Sh]%epitko's w[ ork (Maya Bulg`akova's pensive plane c?`rash reminiscence% f`$rom Wings takes on s ;%)everal new layers o;%,$f _resonance in th^;[ (is c-+on+t:ext !)), Larisa's*, m@ost powerful )passage is it$s firs[.?t a#cco mpanie$d by th=e gr-]an; diose final m^usic cue_\$ from], Sh epitk@= o's You and I, Kli ;mov$- dissolves b :@;etween a series of personal photograph!?.`s t!hat e[n/$compass [Lar]%isa's ent.ir +e%!- life, from birth to death.. Th%is brie$ f sy :=+mph?#`ony of so,+`rr%.ow antic ]ipates @=th=e cat [@hartic[, r([,everse-.motion climax of K:#li= mov _\'s Come and_- See/, though? by ,pl^ \a.*cing $!@the*]` sc e;:n $e `fir(=st ]within Lar :isa's ch$$@-ro_no_$ logy, K(.limov se ems; to` ` b=e working ag!\ [ainst cath_ars )is. The pain%^$ is cl=-ear*[ly fresh, the wound still festering, and _^Klimo*+`:%v w$.a[\n=.ts—._above ,!;,all—to c(apture how d#( #eep %misery's knife has ), cut.
一、《拉莉/*:萨》是哪一年上映的？
《拉莉/*:萨》是依莱姆·克里莫夫于1980年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《拉莉/*:萨》上映时票房稳坐前三，创下当年纪录。当时依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta均为最佳主角，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta以精彩演技和突出形象，奠定在其它影坛地位。依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta饰演角色造型多年后仍为人所模仿。依莱姆·克里莫夫之前曾被人怀疑其能力，而《拉莉/*:萨》却奠定依莱姆·克里莫夫剧情片风格。《拉莉/*:萨》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）其它（其它）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《拉莉/*:萨》，是依莱姆·克里莫夫最好的作品吗?
从依莱姆·克里莫夫斩获剧情片最佳导演 我就觉得这部《拉莉/*:萨》是他最好的剧情片。虽然依莱姆·克里莫夫后来还拍出来了评价特别好的剧情片，但是《拉莉/*:萨》是他剧情片的代表作品。
三、《拉莉/*:萨》为什么可以成为经典？
提起其它，人们就肯定会说出《拉莉/*:萨》的名字。这部由依莱姆·克里莫夫导演，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta主演的《拉莉/*:萨》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连依莱姆·克里莫夫导演和依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta，都没想到这部剧情片会得到这样好的反响。依莱姆·克里莫夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《拉莉/*:萨》开拍之前，依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta已经有几年年无戏可拍，而依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《拉莉/*:萨》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《拉莉/*:萨》?
《拉莉/*:萨》口碑非常好深受广大观众喜爱，《拉莉/*:萨》一经播放立刻引来无数人点赞，不仅依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta演的好而且该剧情片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《拉莉/*:萨》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta，她在该剧情片中的演技可圈可点，受到依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta演的好而且该剧情片迷的认可。
五、《拉莉/*:萨》剧情片的主要内容
《拉莉/*:萨》是一部剧情片剧情片，由导演：依莱姆·克里莫夫执导，主演：依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta
《拉莉/*:萨》A lo_ vi#)ng film tribute to Russian `fil_:`m^ make+r L?;[arisa Shepi^: t. ko , who died tra]$gically in a car )acc!)(ident in 1979 ;$.a t the a$-#ge# of 40. T,his = \d ocumen ]tary by _@he!@r hu.!sband, Elem Klimov, inc` ,ludes exc! erpts f rom all of Shepit ko's fil,]m s,_ and h#*e@%= r own_?\ v;*^oice-) ` is ?: heard tal`#/ki\ ng abou %t her life and art. El#em Kl)im+%ov' .@s grief-stri^`cken elegy Larisa ex* amines the life%` of his late w]if[ _#e—:[\t/he,@ fil++m d` =+i.^rector L)a!ris ]a Shepitko—through a series+ of di ;_%rect-add`ress in+ terv.;?(iews (,and photomo*.:ntages, #//set agai!/; n st a - mournful visual-musical backdrop. Typic $a-l]+@ly, Klim$ov films hi-s @su^bjects% (whic: h inclu[de himself a(nd severa;=l of Sh*ep`i= tko's collaborato %r::s) within a stark, snow-covered forest, its tangled w^eb of _ ]trees )+standi /!ng in ?as me)t! aphorica@!)l !%,rep.res+ en\ta.!# tion o \f a [* pe$ rhaps inexpressible ,]suff:er `\,ing, _` \the result `of Shepitko's pr.]emature ` @ death ?,:. while filmin*g her? -_adaptati[ on_.% of Valen` tin Rasput. in's!, novella :-(Far .ewell to Matyo ;r *:$a. Inter`/wea:vi#ng home /movie fo, ot`=age with )sequen(? ces from=+* Sh]%epitko's w[ ork (Maya Bulg`akova's pensive plane c?`rash reminiscence% f`$rom Wings takes on s ;%)everal new layers o;%,$f _resonance in th^;[ (is c-+on+t:ext !)), Larisa's*, m@ost powerful )passage is it$s firs[.?t a#cco mpanie$d by th=e gr-]an; diose final m^usic cue_\$ from], Sh epitk@= o's You and I, Kli ;mov$- dissolves b :@;etween a series of personal photograph!?.`s t!hat e[n/$compass [Lar]%isa's ent.ir +e%!- life, from birth to death.. Th%is brie$ f sy :=+mph?#`ony of so,+`rr%.ow antic ]ipates @=th=e cat [@hartic[, r([,everse-.motion climax of K:#li= mov _\'s Come and_- See/, though? by ,pl^ \a.*cing $!@the*]` sc e;:n $e `fir(=st ]within Lar :isa's ch$$@-ro_no_$ logy, K(.limov se ems; to` ` b=e working ag!\ [ainst cath_ars )is. The pain%^$ is cl=-ear*[ly fresh, the wound still festering, and _^Klimo*+`:%v w$.a[\n=.ts—._above ,!;,all—to c(apture how d#( #eep %misery's knife has ), cut.