剧情简介
《关于在短时间内的% #/某几个人@#的经过》讲述的是什么故事？
《关于在短时间内的% #/某几个人@#的经过》Voice 1/^/ (male profe(s ^[sional_ announ]:c`er type) Thi?]s neighborhood (1) w*as +%!.made @?- for the wretched dignity of the pett$!:y bourge (o :isie, )?$-for respec table o/(c)](cu@:pa;*tions and intellec[`/$t: _u-al to!#urism.,$*= The s@=,%ed %entary po:#pu [lation of *(th e u[ -p :@per floors was sh?:^eltered from ]th e influen;ces of the)) str \,eet.. !;;Th ]is n$!eighborhoo #d #_h/as remained the same. It was the s/_t#_r\,?ange#/ set ting :`!of our@ story, !where =@a =systema@*tic question//*#i ng of all the `] dive rsion*s and^ works of - a soc;\ i +@ety,]_ a to$$tal cr:i\tique ( -of i]t * s idea of?! ? %happine:ss, was express ed in acts. These people also scorned sub`+.jective profundity. (They @;were i: nterest ed in nothing but _ ^(a`@=n adequa`(? )te an:d concr/e ] te e #\xp ressi`on of th$ ;emselves. Voice 2 (Debord, m onotone) Hu!#ma.n)_] be*]^#i? ngs are no\]*t fully conscious of thei)r real life -=] u?s. [[ually g @%ropin\g in ?^)the dark; overwh:= e-(#!lmed @by the con ?sequenc*^?@e:^ s of ?/*their acts; a`[[t every mome[,nt grou ps and individua:- ls fi(nd themselv @es confronted with *re [,sults th*=ey #+!have not wished. Voi];#ce?[? 1^]! They said ^] \?that oblivion was] t`he*ir r ;%u#ling ;^pa s-:sion, .. They wanted to reinvent(%; _;.everything ea:^ch day; to become the -+mast[ `ers ,a+)[ nd pos@sessors _ of their own lives;. Just % `/as ?[one d oes not . j^.ud $ge a man ac) cording to the conce)`\ption`= he(. has of hi-@mself, . , o n/(= e cannot * judge [ !s_^\uch!%] /*per!iod$=_(s\% .):of))?_ tr=\;ansi=? ti,on a\`ccording ]]-to their# own $ [conscio usness; on the contrary, one/ must @ +expla;in the# ^ c,/:onsc$[ iousn `ess th!_ rough the con@ (t$ r+adicti ons of m@ \\ate:* rial life#\.%_, throu]+^gh :the c ! \o [nfl=ict, bet$ween %?socia+ l con )_]^ditions and the forc /$es of s(=oci+! al p ro duction. The progress:, .*achieve:d in @$th] +e domination .of`\@- nature was% not yet mat]ch!ed by#+\? a c %]-o-,rre, sponding li ;berat%^ion of e:]very^*day # life. Youth passe#.d away among the various controls of resignation. ! Our c_ame,#ra has captured for you a few aspects]) of. a p; rovisi,onal , m ! i*$-crosocie )@ ty[+. Th)!)e knowledge of)^ empirical [ facts remains \ abstract and s[uperficial as-; long],^@ as,. it )is not concretiz =ed by ^/its integra)(tion -into the w+\*_hole__ \,” $, which alone pe_rmi!ts the supersessio #=n([ of partial* a;nd abs^tract pr\ @obl]ems so as to ;arr*iv e at ![$their concre$te ess*:`ence,, and # implic[#[itly^) ?* at th)\ eir meaning.# This gr )oup was , on ,?the marg;++-ins of the econo: my. It ten. d=:ed to = ward a role of pure\ !, con/?s^:umption, a_- nd first o\f ; all )the free cons !umpt?;_ion of its^ time. It t*$`hus found itself dir# _ ectly e ?ngag $ed in qualitat==;ive va,ri; ?ations of everyday li[]fe` but deprived, of ?#any/:# means t;o interve ^ ne -\i +(n; them.?- The g$.@ro@]up+.- ranged over a v$%.#@ery smal$l ;area. T`he same times brought them bac+k to =?t%,[!h-e same places. No one went to b)ed e% a?$$#rly. Discussion on the meaning of all t!=.his continued... Voic e 2@?_ Our life is a journe,[/y ” In the winter and t he(# n[ig( ht. ” We see^!#k o.ur pas#sage..$=`.� Voic e 1 The abandone_`d li teratu)]re nev, erthele-s%:s;$ exerted @;a de laying act`=io \n on new/ affective? )_formu\-lat%,i %-ons. :[ $Voice 2 Th#ere was th_e fatigue and the cold of (#^=the mornin[] g i`:n this much-traversed?)^ labyrinth, (like an eni gma that=* we had to re:*solv ]e. It was`+ *a look*in`g-glas_s realit$*y ( through whi.ch we had to discove@*;r the p=oten_=tial= $r*^ichness ^ of_? r!$e^,$ al_it): .y :@. On t#he ;.bank :)=of the river evening bega)@;n once again; an*?*d caresses; and the importance o] f a] world] ]- without imp. .@ ort+ance. Just as the eyes have]=\ a?!` b)lurred vision of many thin[[ gs and c^^ *an +see only one clearly, :[ so t+.he will can]= strive only ?/incomple$ te?=ly to w ard d[_ iv,@_erse objects and ca *:n complete ly l \:o?$ve only one a t a time. :! Vo`ice 3 (young girl)) No one counted_ %+ on the.; f/,uture. It would *never_ be possible to]? be( tog.$^e_ther $ lat er, or anywhere^ else. The;_r:`e wo].u./ld nev[ ^@#er# \]^be a) .- ,greate r freed,om. ( Voice 1 The refu sal of time _and of =- grow@ing- old au(*+tomatically limited `e)ncou`$nt(**(ers +in-\^= this ] nar# row, co: ntingent zo@;ne, where what was lacking was )/f^ elt as irr!$eparable. The extre$? me preca+ _riou` sness )]of` /the me^ )an s *=.of getting !(:by without worki,@n.g was at the ro #ot of this*# impatience which [ \made exce`, sses ne(`cessary and bre^:_aks (definitive./ Voi]ce 2 One`]: never really ,c$ * ontests an organizat?`%/ion of exist @e n_=ce .wi =thout contesting all o : f:: tha; t organiza ,t ;`ion^;?;'s forms of langua-,`ge. Voice 1 Whe::n f=[reedom ]^%+is pract` ic?ed in )a closed cir cle, it f\[=?ad*_?es :into a dream, be c!omes a ..mere rep /@resen[_@t!]ati` on$[ o?^f. \ itse?l/f. $#The am!_bianc! e of,)* pla=y is by n#.:at-?.u,re unsta%,ble.?- _ At any ][.;moment o ^;rdina!_ry) life(� can prev ail o= nce again. -The geo/[$gr aph*]%(ical limitation of play/ is even more strik^*ing t- han its temporal limitation. ++ ( Any game takes plac[;e? within th _e contours of its @;spatial d@[ omain. Around the neighbo (rhood, around its fleeting and threa^?tened im%mobi?.li((ty, s*` tretch^;=ed*/* a: hal# f-known city#% where people m*e/:t%$% only by chan+$c;[+e, losing t ) h; =)eir wa /y forever. The__\/ :$girls-? who found th )!;(eir _ way ther]@ e, :#^b^,ecause [@*the? ^-y we re le[!_gally un\ d;--.er ^`,%the contr? ol of (, !their famili* es =until #th / e !ag / e o)f eighteen, were often recap=*tured b;%y th _ e defenders of that/ detestab=le#/ \!`in# stitution `. T$hey wer;/ e gene#rally conf-. ined unde, r t%:$he [ gua rd of those creat$ ur%::es w=ho* :-among al l t./he bad products of a ba d soci=ety are;;? _ th_--+e most u gly and + repugnant nuns. W +hat % usuall;y m]ak e`/s ^document arie/s s(o e/asy *#to und_$@]erstand is the ar`]bit= rary limit` ation%(_.) of their /su $bject(* matter. `?They describe th e atomization of+!? s o`( cia( =l f: \unc^tions an @]d ,the iso ))lation o%(f their !` pro= ducts. =$One can, in c\ontra_st, ^;#e$nvi: sage =$t /he_ / e^ ntire co=+mplexity of a mom\en=t whic ^h(;: is not :=.resolved into a wor@%k, a ^ moment whose mo^ vement@ ind issolubly- /!$#contains -?facts and values and whose meaning does;@ not ye( t appear. T=he su=bject @+% matter of the docum?enta-\ry ,(w;[*oul #,d=^\ t@hen : b*?e th%is confused ;@-totality%). !_`Voic+@ e 2 The er$a had arri^* #ve/d at a level o f^ k\nowled= ?ge $ and techn@ #ical means that ma`de possible, and increasi )`_ngl y necessary, a direct construction of all aspe;_cts o+f`,- a liberated / $aff/e!` ctive and pr%?\ac) #tica\l existenc* _(e. The appea =ranc e of th ^ese superio,r means of * action, stil_:l u*(\^nu)se d beca\ use of th e delays%= in the project of liquidati ^( ^ng the com,( #modity ^e*con- /omy/, ;( had already cond(= emned ae sthe,tic activity, whose am bitions and power).s .\+were \ $.both outdat [,ed. The[. _ d*ecay #/o )+f _ art and+ of all _ the v(_alues of former _ mores had fo\#rme? ;d our s ociological backgr^)\-ou ?:nd. Th \e ru$`ling class's m:,-onop)oly\%[( o?^ver the inst=ruments we ne + eded to c*+ontrol in ord).er to reali;_ze t[he collect%:^ive art of o # u r ti/@#me had excluded us from a cultural/_ product/ion official ly? d? evoted to ill) `) us^trating a*\(nd repeating th $? e past. (]=An `^^-a-:rt fil)_m on th ;;is@: generation ca?``n* on()/ly be a f/)il^m o n its absence of real c[ reations.. E`v? #er ;(yone unt\ !hink? ing/[ly follo;[wed !+=;the paths learn).,ed once a nd fo/ r -all, \[ to their work %[_and their ,h +om(.?e, to their @,%predictable $#futur.$+e. Fo!r them duty had $al:ready b]=*ecome a habit., -@a =` n/%d h ab%it a duty. ^ T ):hey did ;)not ?see the@$ deficiency of ` +their . city. They thought t#he ^defi+c `:iency of their life , was natu$#ral. We+: wanted to break * out of t[(--his conditioni, ng, in /`%qu[]est of anoth^er, use of% the ur/$b- ?an la/?%/ndscape, in quest \of* new pas :sions. The a . -tmosph^ ere of a few places gave us intimations of [./the future powers \. /of an; a rch/-itecture it would be n$/ecessar\/ :y to cre`;ate to be the sup = port and fram ewo /]rk for less mediocr?=e ga#mes. W#,e # c*/o[ `]u! ld expect nothing of anyt/]`hing we ha d/, n?)ot our +selves alt#ered. #,_T`he urba%*n, ) en #v.^(ironment pr/-[oclaimed the orders/\\ and ($#tast e s of the ruling +=\[soci-ety jus [t a!*s violen!tly as the ] newspap;#ers^! . I;$=(t is ?`_man @).who makes the u?_/ni$/t`y of\^ the / worl ^d, b?ut man h #\as ,#,exten^*ded hims-![ elf everywh^ ere. People can se$e- no ,thing aroun$!*d #=*[them tha!`t is not their own i_[ mage; %!]everyt?=hing speaks to ! them _@ o;%`f themselves. Th # e_ir ver]?y land[=:sc\;ap(e is ( `alive. Ther?^e were\ obstacles everywhere. Ther#= e was a c /,)(ohesion i%_]n the obstacles of a$`l_ l ty( pes. T\hey m #;aint[-^ained the?# coher\!ent reign/ of: p\ov$ .erty. Everything being con$:n/ecte_d, it w^\;as[# nece]ss ary`( to-#* %change ev` erything % by ?.*a unitary strugg); l#*!_e, o?)r !]^=nothing. =@ It was nece,:ssary to link up with the masses, but we$ were *sur*rounded by sle$ ep. Voice] 3 The dictat o !^r; ship of#) =th!]\-e ^!=prole?`ta?#riat: is a) desp erate s t%*=+ru#!ggl/e, bloody and blood!.[less, v)!\)io[.le*$n# t]/@ / and pea* ceful, m ilita ry an%d eco$ nom i%c, educat[:*.io)nal and administ+ *rat[ive*., against the forces a( nd tradi!`tions of t #_he old worl:=_)d* *[ . V(!oice 1 * In this _country it is o%/nc[ e /; again+ the :men of order who h #ave r_-`ebelled. They,[. ].^h ^ave reinforce_/#%d their p#$ow@.,er. Th$ ^ey have been)`- a_(?bl $e to aggravate the,/ gr _ ?otesquenes^%s #?of the ruling conditions .;accordi`_ ng t `=o the ir will+. T. hey %have _em.#=^bel ;`lishe)- . d their syst(]em w!-ith?;$ t$( \h:$e \!funereal ceremonies( of the past. Voice`=[_# 2 Years, +like a sing= _le instant *^%)pr\olon,g^\@ed =]to th$_is @p, oint, co *.\me to an* end.^=; # _ Vo@]+ice, 1 :_What wa ,s d/!([irectly li) ved reapp _!ears* _fro[.%zen i/:n + =th] e d) ista ,nce, fi][t int. /o the ta=s)tes an`[d ? _+illusion.\s of %,an era, ca(=rried a ( way with+ i^]t. ;_\:Voice \%) 2 The a!/,ppea`rance of events that w e have not made, _$that others: h+-@ave $_+=made ag .,@ai n`st us, now ob$$liges us to be aware of the p assage of ]; t im%e,* i *ts re\@(%sults, the tr(^^ansfo=]- rmatio \n of our own desires into events. What d,]iff erentiates t^ -he pas-t :(from th!@e prese .nt is precise# ly its$* out-of-^.#rea :^ch ]o_ bject +_ivity; there is no mor= e shou ld-be; b.?ein g is s_#)!o consu `me[#d $that` ]i,/t has ce [. ased * to exist. . The details are al: ]ready lost in the dus] t of@! time. Wh[o w!as_ !af)^\raid o?f _ life, afraid of the ni!`[gh;;t, afraid (^of bein g t)aken, \ afraid o@*[[-f being kept Voi*]ce 3 What shou ;ld be abolishe@*(d continues, and( we [@c_[ontin@ ue to -`#)wear away`[ with it. We:* are en`gulfed. We are separated]^@. The years p^ass and we haven't ch +anged a ;n,%ythin.g. Voice ==2 Once=/ again _]morni ng in;( the same streets. On`# c(e a gain the f%?] atigue =of so many* similarly pa/]ss$ed nigh ts. .It is a w[)alk that has $las;te d ?a l-ong % time. Voice 1 Really hard t$!?o :;dri\#:nk more+?.!_ Voice 2`.%/ ?Of _ co#% urse one mi(];gh_.)t make a f/? ,i-`!lm of, it.. But eve;;:n if su#[ch= a film succeeds in be#ing: $ ) %as funda+ me:);nta!; lly d ]:i,/ sco!=;/nnected a-^nd u nsat?(#i -!sfyi !=^ng as t@he reality it ; d[eals\? with, it/!] will n[ever+-` be more than] a re-cre=,at- ion ”(/ poor an:+d\ false _[@l %i! `ke #*this botched t raveling shot. Vo+: ; ice 3 The_[re are now people who pride_? t(\-hemselve, s on be%=ing authors = $o@f fi/lms,- a s others were( authors of, n ovels. They are even more backward, ^^ t/han) the noveli%_st :-\s+[( =becau)se they a*re u:naware of the decomposition? and ex`@@.ha:[ ustion of individ ual expr+:/ession in =,^\our ti$ me,; @ignoran# t of the e# @nd of th e arts/ o`f passiv$ity. They a !)re pra )ised f!*^or their,% ]s,(.incer\ity ?;since th#ey dramatize, wi$? ,th m?,%ore =:. p%^e%#rson,al depth, the c; onventio ?[ns of w%[h$+)ich th] ^eir@!( li@fe consists. There is talk o %!f ^.the l(,)iberation of the ci[nema. Bu`t what do@!es =it ma^tter to us if one mor^;: e art is l-[+iberated thr( ough which T`@om`, Dick or H: arry can`;( (/joyously !express their ,,:[slavish sentim)ent/# s The on$ ly interesting v -ent#ure is the *liberation of ever/-yday lif$-e, not only in`] the per . spectiv @es of his#:.tory b @!_u:#: t fo r u,#s and right^ away. Thi=(s e n[%t`;ails the withering away of ali\@enate^d forms of communicatio\n. The( c?inema, %+ :`t`@#o,;o, has t;^o be de ] stroyed-] `@. ; Vo,ice 2 ;In the final anal/^ysis,`, stars=) are created by * t;?he need+ we have [ for them, and/ not % by the=ir talent or l]#_ack of t) alent or even b/_y the #/film i?)ndu - s[ ;try+, , or( advertising. Mi(serable nee@(+d, di,+sma!)l, anon* . ymous life tha+ t woul/-/$-d like^@]= _to )expand it]_self to the , ,d ?@ imensi )on :s of cinema li [fe. The imaginary ] l+if %@e% on the scree!?n is the pr` $o.:d/ uct of this =]rea-?l need@ ,. The star is the projectio$n of + [t +hi#s need. (!.The :.^?images of the adve%_r@ ti(sements :`.during the in#\= termissio*ns are* more s$ uited than any ot)+hers_ for evoking @\ an inter(mi!:@ssion of l\,ife. T *o really d@)(*escribe th%^is era it wo*/uld no )/doubt be n?e :cessary `=to ? show m),any other t !hings*]@. ^But wha( t would be the point_ Better to g$ ras(!p the .#totality)@ of what has b ee (n d one and )\what remains to) be don %\e t(han to add more rui-ns to/ the old worl\[ d+ of the spectacle[ :and o:$=f memori@es. 1. T-=)h_is f#\@/i)@lm, (=;which evokes the lettrist ] exper^-iences at the orig\*),i/ n of @[the\: s$ ]?i tuationist movement, ope[\n@-,:s/ wi,th shots \ of t; he Paris d$/_ istrict# fr=equen!ted by the [_ l ett-[ri$sts in., th;-e early 1950s.
一、《关于在短时间内的% #/某几个人@#的经过》是哪一年上映的？
《关于在短时间内的% #/某几个人@#的经过》是居伊·德波于1959年拍摄的一部经典剧情片。此片开创法国当代剧情片的先河，《关于在短时间内的% #/某几个人@#的经过》上映时票房稳坐前三，创下当年纪录。当时均为最佳主角，以精彩演技和突出形象，奠定在法国影坛地位。饰演角色造型多年后仍为人所模仿。居伊·德波之前曾被人怀疑其能力，而《关于在短时间内的% #/某几个人@#的经过》却奠定居伊·德波剧情片风格。《关于在短时间内的% #/某几个人@#的经过》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1959年代）法国（法国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《关于在短时间内的% #/某几个人@#的经过》，是居伊·德波最好的作品吗?
从居伊·德波斩获剧情片最佳导演 我就觉得这部《关于在短时间内的% #/某几个人@#的经过》是他最好的剧情片。虽然居伊·德波后来还拍出来了评价特别好的剧情片，但是《关于在短时间内的% #/某几个人@#的经过》是他剧情片的代表作品。
三、《关于在短时间内的% #/某几个人@#的经过》为什么可以成为经典？
提起法国，人们就肯定会说出《关于在短时间内的% #/某几个人@#的经过》的名字。这部由居伊·德波导演，主演的《关于在短时间内的% #/某几个人@#的经过》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连居伊·德波导演和，都没想到这部剧情片会得到这样好的反响。居伊·德波先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《关于在短时间内的% #/某几个人@#的经过》开拍之前，已经有几年年无戏可拍，而主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《关于在短时间内的% #/某几个人@#的经过》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《关于在短时间内的% #/某几个人@#的经过》?
《关于在短时间内的% #/某几个人@#的经过》口碑非常好深受广大观众喜爱，《关于在短时间内的% #/某几个人@#的经过》一经播放立刻引来无数人点赞，不仅演的好而且该剧情片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《关于在短时间内的% #/某几个人@#的经过》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演，她在该剧情片中的演技可圈可点，受到演的好而且该剧情片迷的认可。
五、《关于在短时间内的% #/某几个人@#的经过》剧情片的主要内容
《关于在短时间内的% #/某几个人@#的经过》是一部剧情片剧情片，由导演：居伊·德波执导，主演：
《关于在短时间内的% #/某几个人@#的经过》Voice 1/^/ (male profe(s ^[sional_ announ]:c`er type) Thi?]s neighborhood (1) w*as +%!.made @?- for the wretched dignity of the pett$!:y bourge (o :isie, )?$-for respec table o/(c)](cu@:pa;*tions and intellec[`/$t: _u-al to!#urism.,$*= The s@=,%ed %entary po:#pu [lation of *(th e u[ -p :@per floors was sh?:^eltered from ]th e influen;ces of the)) str \,eet.. !;;Th ]is n$!eighborhoo #d #_h/as remained the same. It was the s/_t#_r\,?ange#/ set ting :`!of our@ story, !where =@a =systema@*tic question//*#i ng of all the `] dive rsion*s and^ works of - a soc;\ i +@ety,]_ a to$$tal cr:i\tique ( -of i]t * s idea of?! ? %happine:ss, was express ed in acts. These people also scorned sub`+.jective profundity. (They @;were i: nterest ed in nothing but _ ^(a`@=n adequa`(? )te an:d concr/e ] te e #\xp ressi`on of th$ ;emselves. Voice 2 (Debord, m onotone) Hu!#ma.n)_] be*]^#i? ngs are no\]*t fully conscious of thei)r real life -=] u?s. [[ually g @%ropin\g in ?^)the dark; overwh:= e-(#!lmed @by the con ?sequenc*^?@e:^ s of ?/*their acts; a`[[t every mome[,nt grou ps and individua:- ls fi(nd themselv @es confronted with *re [,sults th*=ey #+!have not wished. Voi];#ce?[? 1^]! They said ^] \?that oblivion was] t`he*ir r ;%u#ling ;^pa s-:sion, .. They wanted to reinvent(%; _;.everything ea:^ch day; to become the -+mast[ `ers ,a+)[ nd pos@sessors _ of their own lives;. Just % `/as ?[one d oes not . j^.ud $ge a man ac) cording to the conce)`\ption`= he(. has of hi-@mself, . , o n/(= e cannot * judge [ !s_^\uch!%] /*per!iod$=_(s\% .):of))?_ tr=\;ansi=? ti,on a\`ccording ]]-to their# own $ [conscio usness; on the contrary, one/ must @ +expla;in the# ^ c,/:onsc$[ iousn `ess th!_ rough the con@ (t$ r+adicti ons of m@ \\ate:* rial life#\.%_, throu]+^gh :the c ! \o [nfl=ict, bet$ween %?socia+ l con )_]^ditions and the forc /$es of s(=oci+! al p ro duction. The progress:, .*achieve:d in @$th] +e domination .of`\@- nature was% not yet mat]ch!ed by#+\? a c %]-o-,rre, sponding li ;berat%^ion of e:]very^*day # life. Youth passe#.d away among the various controls of resignation. ! Our c_ame,#ra has captured for you a few aspects]) of. a p; rovisi,onal , m ! i*$-crosocie )@ ty[+. Th)!)e knowledge of)^ empirical [ facts remains \ abstract and s[uperficial as-; long],^@ as,. it )is not concretiz =ed by ^/its integra)(tion -into the w+\*_hole__ \,” $, which alone pe_rmi!ts the supersessio #=n([ of partial* a;nd abs^tract pr\ @obl]ems so as to ;arr*iv e at ![$their concre$te ess*:`ence,, and # implic[#[itly^) ?* at th)\ eir meaning.# This gr )oup was , on ,?the marg;++-ins of the econo: my. It ten. d=:ed to = ward a role of pure\ !, con/?s^:umption, a_- nd first o\f ; all )the free cons !umpt?;_ion of its^ time. It t*$`hus found itself dir# _ ectly e ?ngag $ed in qualitat==;ive va,ri; ?ations of everyday li[]fe` but deprived, of ?#any/:# means t;o interve ^ ne -\i +(n; them.?- The g$.@ro@]up+.- ranged over a v$%.#@ery smal$l ;area. T`he same times brought them bac+k to =?t%,[!h-e same places. No one went to b)ed e% a?$$#rly. Discussion on the meaning of all t!=.his continued... Voic e 2@?_ Our life is a journe,[/y ” In the winter and t he(# n[ig( ht. ” We see^!#k o.ur pas#sage..$=`.� Voic e 1 The abandone_`d li teratu)]re nev, erthele-s%:s;$ exerted @;a de laying act`=io \n on new/ affective? )_formu\-lat%,i %-ons. :[ $Voice 2 Th#ere was th_e fatigue and the cold of (#^=the mornin[] g i`:n this much-traversed?)^ labyrinth, (like an eni gma that=* we had to re:*solv ]e. It was`+ *a look*in`g-glas_s realit$*y ( through whi.ch we had to discove@*;r the p=oten_=tial= $r*^ichness ^ of_? r!$e^,$ al_it): .y :@. On t#he ;.bank :)=of the river evening bega)@;n once again; an*?*d caresses; and the importance o] f a] world] ]- without imp. .@ ort+ance. Just as the eyes have]=\ a?!` b)lurred vision of many thin[[ gs and c^^ *an +see only one clearly, :[ so t+.he will can]= strive only ?/incomple$ te?=ly to w ard d[_ iv,@_erse objects and ca *:n complete ly l \:o?$ve only one a t a time. :! Vo`ice 3 (young girl)) No one counted_ %+ on the.; f/,uture. It would *never_ be possible to]? be( tog.$^e_ther $ lat er, or anywhere^ else. The;_r:`e wo].u./ld nev[ ^@#er# \]^be a) .- ,greate r freed,om. ( Voice 1 The refu sal of time _and of =- grow@ing- old au(*+tomatically limited `e)ncou`$nt(**(ers +in-\^= this ] nar# row, co: ntingent zo@;ne, where what was lacking was )/f^ elt as irr!$eparable. The extre$? me preca+ _riou` sness )]of` /the me^ )an s *=.of getting !(:by without worki,@n.g was at the ro #ot of this*# impatience which [ \made exce`, sses ne(`cessary and bre^:_aks (definitive./ Voi]ce 2 One`]: never really ,c$ * ontests an organizat?`%/ion of exist @e n_=ce .wi =thout contesting all o : f:: tha; t organiza ,t ;`ion^;?;'s forms of langua-,`ge. Voice 1 Whe::n f=[reedom ]^%+is pract` ic?ed in )a closed cir cle, it f\[=?ad*_?es :into a dream, be c!omes a ..mere rep /@resen[_@t!]ati` on$[ o?^f. \ itse?l/f. $#The am!_bianc! e of,)* pla=y is by n#.:at-?.u,re unsta%,ble.?- _ At any ][.;moment o ^;rdina!_ry) life(� can prev ail o= nce again. -The geo/[$gr aph*]%(ical limitation of play/ is even more strik^*ing t- han its temporal limitation. ++ ( Any game takes plac[;e? within th _e contours of its @;spatial d@[ omain. Around the neighbo (rhood, around its fleeting and threa^?tened im%mobi?.li((ty, s*` tretch^;=ed*/* a: hal# f-known city#% where people m*e/:t%$% only by chan+$c;[+e, losing t ) h; =)eir wa /y forever. The__\/ :$girls-? who found th )!;(eir _ way ther]@ e, :#^b^,ecause [@*the? ^-y we re le[!_gally un\ d;--.er ^`,%the contr? ol of (, !their famili* es =until #th / e !ag / e o)f eighteen, were often recap=*tured b;%y th _ e defenders of that/ detestab=le#/ \!`in# stitution `. T$hey wer;/ e gene#rally conf-. ined unde, r t%:$he [ gua rd of those creat$ ur%::es w=ho* :-among al l t./he bad products of a ba d soci=ety are;;? _ th_--+e most u gly and + repugnant nuns. W +hat % usuall;y m]ak e`/s ^document arie/s s(o e/asy *#to und_$@]erstand is the ar`]bit= rary limit` ation%(_.) of their /su $bject(* matter. `?They describe th e atomization of+!? s o`( cia( =l f: \unc^tions an @]d ,the iso ))lation o%(f their !` pro= ducts. =$One can, in c\ontra_st, ^;#e$nvi: sage =$t /he_ / e^ ntire co=+mplexity of a mom\en=t whic ^h(;: is not :=.resolved into a wor@%k, a ^ moment whose mo^ vement@ ind issolubly- /!$#contains -?facts and values and whose meaning does;@ not ye( t appear. T=he su=bject @+% matter of the docum?enta-\ry ,(w;[*oul #,d=^\ t@hen : b*?e th%is confused ;@-totality%). !_`Voic+@ e 2 The er$a had arri^* #ve/d at a level o f^ k\nowled= ?ge $ and techn@ #ical means that ma`de possible, and increasi )`_ngl y necessary, a direct construction of all aspe;_cts o+f`,- a liberated / $aff/e!` ctive and pr%?\ac) #tica\l existenc* _(e. The appea =ranc e of th ^ese superio,r means of * action, stil_:l u*(\^nu)se d beca\ use of th e delays%= in the project of liquidati ^( ^ng the com,( #modity ^e*con- /omy/, ;( had already cond(= emned ae sthe,tic activity, whose am bitions and power).s .\+were \ $.both outdat [,ed. The[. _ d*ecay #/o )+f _ art and+ of all _ the v(_alues of former _ mores had fo\#rme? ;d our s ociological backgr^)\-ou ?:nd. Th \e ru$`ling class's m:,-onop)oly\%[( o?^ver the inst=ruments we ne + eded to c*+ontrol in ord).er to reali;_ze t[he collect%:^ive art of o # u r ti/@#me had excluded us from a cultural/_ product/ion official ly? d? evoted to ill) `) us^trating a*\(nd repeating th $? e past. (]=An `^^-a-:rt fil)_m on th ;;is@: generation ca?``n* on()/ly be a f/)il^m o n its absence of real c[ reations.. E`v? #er ;(yone unt\ !hink? ing/[ly follo;[wed !+=;the paths learn).,ed once a nd fo/ r -all, \[ to their work %[_and their ,h +om(.?e, to their @,%predictable $#futur.$+e. Fo!r them duty had $al:ready b]=*ecome a habit., -@a =` n/%d h ab%it a duty. ^ T ):hey did ;)not ?see the@$ deficiency of ` +their . city. They thought t#he ^defi+c `:iency of their life , was natu$#ral. We+: wanted to break * out of t[(--his conditioni, ng, in /`%qu[]est of anoth^er, use of% the ur/$b- ?an la/?%/ndscape, in quest \of* new pas :sions. The a . -tmosph^ ere of a few places gave us intimations of [./the future powers \. /of an; a rch/-itecture it would be n$/ecessar\/ :y to cre`;ate to be the sup = port and fram ewo /]rk for less mediocr?=e ga#mes. W#,e # c*/o[ `]u! ld expect nothing of anyt/]`hing we ha d/, n?)ot our +selves alt#ered. #,_T`he urba%*n, ) en #v.^(ironment pr/-[oclaimed the orders/\\ and ($#tast e s of the ruling +=\[soci-ety jus [t a!*s violen!tly as the ] newspap;#ers^! . I;$=(t is ?`_man @).who makes the u?_/ni$/t`y of\^ the / worl ^d, b?ut man h #\as ,#,exten^*ded hims-![ elf everywh^ ere. People can se$e- no ,thing aroun$!*d #=*[them tha!`t is not their own i_[ mage; %!]everyt?=hing speaks to ! them _@ o;%`f themselves. Th # e_ir ver]?y land[=:sc\;ap(e is ( `alive. Ther?^e were\ obstacles everywhere. Ther#= e was a c /,)(ohesion i%_]n the obstacles of a$`l_ l ty( pes. T\hey m #;aint[-^ained the?# coher\!ent reign/ of: p\ov$ .erty. Everything being con$:n/ecte_d, it w^\;as[# nece]ss ary`( to-#* %change ev` erything % by ?.*a unitary strugg); l#*!_e, o?)r !]^=nothing. =@ It was nece,:ssary to link up with the masses, but we$ were *sur*rounded by sle$ ep. Voice] 3 The dictat o !^r; ship of#) =th!]\-e ^!=prole?`ta?#riat: is a) desp erate s t%*=+ru#!ggl/e, bloody and blood!.[less, v)!\)io[.le*$n# t]/@ / and pea* ceful, m ilita ry an%d eco$ nom i%c, educat[:*.io)nal and administ+ *rat[ive*., against the forces a( nd tradi!`tions of t #_he old worl:=_)d* *[ . V(!oice 1 * In this _country it is o%/nc[ e /; again+ the :men of order who h #ave r_-`ebelled. They,[. ].^h ^ave reinforce_/#%d their p#$ow@.,er. Th$ ^ey have been)`- a_(?bl $e to aggravate the,/ gr _ ?otesquenes^%s #?of the ruling conditions .;accordi`_ ng t `=o the ir will+. T. hey %have _em.#=^bel ;`lishe)- . d their syst(]em w!-ith?;$ t$( \h:$e \!funereal ceremonies( of the past. Voice`=[_# 2 Years, +like a sing= _le instant *^%)pr\olon,g^\@ed =]to th$_is @p, oint, co *.\me to an* end.^=; # _ Vo@]+ice, 1 :_What wa ,s d/!([irectly li) ved reapp _!ears* _fro[.%zen i/:n + =th] e d) ista ,nce, fi][t int. /o the ta=s)tes an`[d ? _+illusion.\s of %,an era, ca(=rried a ( way with+ i^]t. ;_\:Voice \%) 2 The a!/,ppea`rance of events that w e have not made, _$that others: h+-@ave $_+=made ag .,@ai n`st us, now ob$$liges us to be aware of the p assage of ]; t im%e,* i *ts re\@(%sults, the tr(^^ansfo=]- rmatio \n of our own desires into events. What d,]iff erentiates t^ -he pas-t :(from th!@e prese .nt is precise# ly its$* out-of-^.#rea :^ch ]o_ bject +_ivity; there is no mor= e shou ld-be; b.?ein g is s_#)!o consu `me[#d $that` ]i,/t has ce [. ased * to exist. . The details are al: ]ready lost in the dus] t of@! time. Wh[o w!as_ !af)^\raid o?f _ life, afraid of the ni!`[gh;;t, afraid (^of bein g t)aken, \ afraid o@*[[-f being kept Voi*]ce 3 What shou ;ld be abolishe@*(d continues, and( we [@c_[ontin@ ue to -`#)wear away`[ with it. We:* are en`gulfed. We are separated]^@. The years p^ass and we haven't ch +anged a ;n,%ythin.g. Voice ==2 Once=/ again _]morni ng in;( the same streets. On`# c(e a gain the f%?] atigue =of so many* similarly pa/]ss$ed nigh ts. .It is a w[)alk that has $las;te d ?a l-ong % time. Voice 1 Really hard t$!?o :;dri\#:nk more+?.!_ Voice 2`.%/ ?Of _ co#% urse one mi(];gh_.)t make a f/? ,i-`!lm of, it.. But eve;;:n if su#[ch= a film succeeds in be#ing: $ ) %as funda+ me:);nta!; lly d ]:i,/ sco!=;/nnected a-^nd u nsat?(#i -!sfyi !=^ng as t@he reality it ; d[eals\? with, it/!] will n[ever+-` be more than] a re-cre=,at- ion ”(/ poor an:+d\ false _[@l %i! `ke #*this botched t raveling shot. Vo+: ; ice 3 The_[re are now people who pride_? t(\-hemselve, s on be%=ing authors = $o@f fi/lms,- a s others were( authors of, n ovels. They are even more backward, ^^ t/han) the noveli%_st :-\s+[( =becau)se they a*re u:naware of the decomposition? and ex`@@.ha:[ ustion of individ ual expr+:/ession in =,^\our ti$ me,; @ignoran# t of the e# @nd of th e arts/ o`f passiv$ity. They a !)re pra )ised f!*^or their,% ]s,(.incer\ity ?;since th#ey dramatize, wi$? ,th m?,%ore =:. p%^e%#rson,al depth, the c; onventio ?[ns of w%[h$+)ich th] ^eir@!( li@fe consists. There is talk o %!f ^.the l(,)iberation of the ci[nema. Bu`t what do@!es =it ma^tter to us if one mor^;: e art is l-[+iberated thr( ough which T`@om`, Dick or H: arry can`;( (/joyously !express their ,,:[slavish sentim)ent/# s The on$ ly interesting v -ent#ure is the *liberation of ever/-yday lif$-e, not only in`] the per . spectiv @es of his#:.tory b @!_u:#: t fo r u,#s and right^ away. Thi=(s e n[%t`;ails the withering away of ali\@enate^d forms of communicatio\n. The( c?inema, %+ :`t`@#o,;o, has t;^o be de ] stroyed-] `@. ; Vo,ice 2 ;In the final anal/^ysis,`, stars=) are created by * t;?he need+ we have [ for them, and/ not % by the=ir talent or l]#_ack of t) alent or even b/_y the #/film i?)ndu - s[ ;try+, , or( advertising. Mi(serable nee@(+d, di,+sma!)l, anon* . ymous life tha+ t woul/-/$-d like^@]= _to )expand it]_self to the , ,d ?@ imensi )on :s of cinema li [fe. The imaginary ] l+if %@e% on the scree!?n is the pr` $o.:d/ uct of this =]rea-?l need@ ,. The star is the projectio$n of + [t +hi#s need. (!.The :.^?images of the adve%_r@ ti(sements :`.during the in#\= termissio*ns are* more s$ uited than any ot)+hers_ for evoking @\ an inter(mi!:@ssion of l\,ife. T *o really d@)(*escribe th%^is era it wo*/uld no )/doubt be n?e :cessary `=to ? show m),any other t !hings*]@. ^But wha( t would be the point_ Better to g$ ras(!p the .#totality)@ of what has b ee (n d one and )\what remains to) be don %\e t(han to add more rui-ns to/ the old worl\[ d+ of the spectacle[ :and o:$=f memori@es. 1. T-=)h_is f#\@/i)@lm, (=;which evokes the lettrist ] exper^-iences at the orig\*),i/ n of @[the\: s$ ]?i tuationist movement, ope[\n@-,:s/ wi,th shots \ of t; he Paris d$/_ istrict# fr=equen!ted by the [_ l ett-[ri$sts in., th;-e early 1950s.