剧情简介
《不安》讲述的是什么故事？
《不安》Whenever $ _I see [La Paur!a I think *of it as ) a companion ]pie?@ ce to Eyes Wide Shu*t, o ==;r maybe it is the ]other` ; _/way aro?_und. A dultery ? m* =akes bot?h films;# tick but in %`different w\ ay%$s. I t hink $ Phillip`@= French% was r #ight on th e mon!`ey when]! he@ !*poi$nted ou . t a W `^#iza_``rd;* of Oz t hing in-@ Ku$_bric` (k's last work. Like Dor-[o \*$thy, Tom an d N?\icole go thro/(ug(\ h fan+;tas:ies and n*].ightmares/_, and at th #e end D :oro`) thy 's \re[)assuri;;n g childish mo $:tto t=here's no place l@ike home is iron=i] cally updat .ed to* \ the ad#ul/ #t ::[ci: r cumstantial adage ]^!there's no- \+s=:ex like marital se x. Kubrick;#\'s ta ke is _*?;i#ntel !lectual *, he never lea$ v/.es the world of; ideas to touc-!`h the ground. H=e taunts the audience first with an erotic movie and +.then with _;a thr*(il? l er an.[d r.!_e)/fuses) to de]l:=i +ver either of t[=hem. He was#)- mar *r:_% ied to his thi*rd wi fe.(_ __for 40 yea( rs, until $he di-?ed-). Rossellini was- () still marrie^:[$%d to Ingrid Bergma+[n when he directe _[d La Paura; the.\y h; a\+d been a^` dult(_ e=rous lovers and t\.heir -_inf+_idelity wi % dely c[riticize#*d? La Paura is a ta(le$, a n*oirish _one.,. T*he noir intrigue is solved and th[. e ++][tale has a happy\+- endi@`*ng/ *. [Th-e ci :ty is ;noir; th* e count^$ry is $tale, th!e terri tory where childhood is possible. The tr (ans] it /ion is operated in th/e mo+s]=t regular wa,y by car, a :-lon;+g)!:!-h+_e[,ld shot taken from the front of .+-th.+`@e car as it rides int `o th:?e road, as if we== we; re entering ,` a # ?diff+er- @^e= nt dimensi:?on. Irene ( (Bergma(%!n) starts the movie^ we just see a da rk city landscape but her voice -+ ov+]er ,;_[narratio=^_n tells / :us of$ her ang;]!st and informs us t hat the# st#:,ory is a flashba *+ck, hers ). Berg;^m*an'*:s been cheati,ng on her husband. At first g*=%uilt ^is ] just . p-,sycholo?^-gica *l tort\ !)ur e ,bu]/t so$_ o_\n expand .%s into;/, ])eco +nomic blackmail(` a ,:nd t)hen _%grows into^ something else.`, * From beginnin-:g to end th ;\:e m_ovie focuses on what] Ber#gma* `n feels, every! [(^/.o !t\ her c=::haracter is there to make ; h,?` .e`r \@ feel something. Onl(!y when t he dir[ect \or _ ?*gi@_ ve$s away the plot b #(efo re t? (]he mai*n ch!aract +er c an find out ]does he want us t o ] feel $something$ Bergman *stil ( $:l can\['t. Wh)_en she finds!/ out, `_][ we *; +have alrea$;dy e.xperienced the wa ;rped m $+echanics of t.[h]e ^ situatio\# n and we?@` m ay,? ^ foc]?]us on@ce ag =)a=^ i?n on= -)the emot, i#onal impact!* it %_]has _on= )# ^B @);ergma%n's I+ @^re[ne.! [: In La# Pau;%+ra tre$- aso`: +ns a, :re%#; not imagine`$!)d but re: !al, n]ightmares are de liberate and the co u @+[ple's; `)venom_ suppurates in bitter ways. Need- les,=!s to ^ say, Ingrid \h*as a(not: her ][of h[e\r roug+:h rides in the movie#+%s b ut R oss[el @l@,ini doesn't dare put her aw(=ay_ as h:`e d=id in$ Europa 51, n];or does+ % he (abandon h`!er to ;^t %he inscrut #@able i][mpassivity- o*f nature (*$St/ #%r*\_omboli). His gift !is le[ss= *;[tran]-_scen dent and? fr?^, agile ^ than t*he con clusion of Viag= gio in Italia. He + $(just \[g[?i(ves his wife a?s $much?@_? of a fairy @t ale,^. en ?!ding as a ;_ r / eal*, wo;^)=ma`n can have, a hu(man la*n,-dscape where \sh. e can %$finally fe=.#el at h +\ome. Back to /t[)$h_(e country, a :=half^= lit in +teri# .or? scene where shad: ows ,*suggest the comfort of sleep. Af?#ter all, it's th)e fa+\iry god\mo@[ther who spe aks the last ] words %. in the movie.
一、《不安》是哪一年上映的？
《不安》是罗伯托·罗西里尼于1954年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《不安》上映时票房稳坐前三，创下当年纪录。当时英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特均为最佳主角，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特以精彩演技和突出形象，奠定在其它影坛地位。英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特饰演角色造型多年后仍为人所模仿。罗伯托·罗西里尼之前曾被人怀疑其能力，而《不安》却奠定罗伯托·罗西里尼剧情片风格。《不安》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1954年代）其它（其它）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《不安》，是罗伯托·罗西里尼最好的作品吗?
从罗伯托·罗西里尼斩获剧情片最佳导演 我就觉得这部《不安》是他最好的剧情片。虽然罗伯托·罗西里尼后来还拍出来了评价特别好的剧情片，但是《不安》是他剧情片的代表作品。
三、《不安》为什么可以成为经典？
提起其它，人们就肯定会说出《不安》的名字。这部由罗伯托·罗西里尼导演，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演的《不安》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连罗伯托·罗西里尼导演和英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特，都没想到这部剧情片会得到这样好的反响。罗伯托·罗西里尼先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《不安》开拍之前，英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特已经有几年年无戏可拍，而英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《不安》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《不安》?
《不安》口碑非常好深受广大观众喜爱，《不安》一经播放立刻引来无数人点赞，不仅英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特演的好而且该剧情片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《不安》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特，她在该剧情片中的演技可圈可点，受到英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特演的好而且该剧情片迷的认可。
五、《不安》剧情片的主要内容
《不安》是一部剧情片剧情片，由导演：罗伯托·罗西里尼执导，主演：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
《不安》Whenever $ _I see [La Paur!a I think *of it as ) a companion ]pie?@ ce to Eyes Wide Shu*t, o ==;r maybe it is the ]other` ; _/way aro?_und. A dultery ? m* =akes bot?h films;# tick but in %`different w\ ay%$s. I t hink $ Phillip`@= French% was r #ight on th e mon!`ey when]! he@ !*poi$nted ou . t a W `^#iza_``rd;* of Oz t hing in-@ Ku$_bric` (k's last work. Like Dor-[o \*$thy, Tom an d N?\icole go thro/(ug(\ h fan+;tas:ies and n*].ightmares/_, and at th #e end D :oro`) thy 's \re[)assuri;;n g childish mo $:tto t=here's no place l@ike home is iron=i] cally updat .ed to* \ the ad#ul/ #t ::[ci: r cumstantial adage ]^!there's no- \+s=:ex like marital se x. Kubrick;#\'s ta ke is _*?;i#ntel !lectual *, he never lea$ v/.es the world of; ideas to touc-!`h the ground. H=e taunts the audience first with an erotic movie and +.then with _;a thr*(il? l er an.[d r.!_e)/fuses) to de]l:=i +ver either of t[=hem. He was#)- mar *r:_% ied to his thi*rd wi fe.(_ __for 40 yea( rs, until $he di-?ed-). Rossellini was- () still marrie^:[$%d to Ingrid Bergma+[n when he directe _[d La Paura; the.\y h; a\+d been a^` dult(_ e=rous lovers and t\.heir -_inf+_idelity wi % dely c[riticize#*d? La Paura is a ta(le$, a n*oirish _one.,. T*he noir intrigue is solved and th[. e ++][tale has a happy\+- endi@`*ng/ *. [Th-e ci :ty is ;noir; th* e count^$ry is $tale, th!e terri tory where childhood is possible. The tr (ans] it /ion is operated in th/e mo+s]=t regular wa,y by car, a :-lon;+g)!:!-h+_e[,ld shot taken from the front of .+-th.+`@e car as it rides int `o th:?e road, as if we== we; re entering ,` a # ?diff+er- @^e= nt dimensi:?on. Irene ( (Bergma(%!n) starts the movie^ we just see a da rk city landscape but her voice -+ ov+]er ,;_[narratio=^_n tells / :us of$ her ang;]!st and informs us t hat the# st#:,ory is a flashba *+ck, hers ). Berg;^m*an'*:s been cheati,ng on her husband. At first g*=%uilt ^is ] just . p-,sycholo?^-gica *l tort\ !)ur e ,bu]/t so$_ o_\n expand .%s into;/, ])eco +nomic blackmail(` a ,:nd t)hen _%grows into^ something else.`, * From beginnin-:g to end th ;\:e m_ovie focuses on what] Ber#gma* `n feels, every! [(^/.o !t\ her c=::haracter is there to make ; h,?` .e`r \@ feel something. Onl(!y when t he dir[ect \or _ ?*gi@_ ve$s away the plot b #(efo re t? (]he mai*n ch!aract +er c an find out ]does he want us t o ] feel $something$ Bergman *stil ( $:l can\['t. Wh)_en she finds!/ out, `_][ we *; +have alrea$;dy e.xperienced the wa ;rped m $+echanics of t.[h]e ^ situatio\# n and we?@` m ay,? ^ foc]?]us on@ce ag =)a=^ i?n on= -)the emot, i#onal impact!* it %_]has _on= )# ^B @);ergma%n's I+ @^re[ne.! [: In La# Pau;%+ra tre$- aso`: +ns a, :re%#; not imagine`$!)d but re: !al, n]ightmares are de liberate and the co u @+[ple's; `)venom_ suppurates in bitter ways. Need- les,=!s to ^ say, Ingrid \h*as a(not: her ][of h[e\r roug+:h rides in the movie#+%s b ut R oss[el @l@,ini doesn't dare put her aw(=ay_ as h:`e d=id in$ Europa 51, n];or does+ % he (abandon h`!er to ;^t %he inscrut #@able i][mpassivity- o*f nature (*$St/ #%r*\_omboli). His gift !is le[ss= *;[tran]-_scen dent and? fr?^, agile ^ than t*he con clusion of Viag= gio in Italia. He + $(just \[g[?i(ves his wife a?s $much?@_? of a fairy @t ale,^. en ?!ding as a ;_ r / eal*, wo;^)=ma`n can have, a hu(man la*n,-dscape where \sh. e can %$finally fe=.#el at h +\ome. Back to /t[)$h_(e country, a :=half^= lit in +teri# .or? scene where shad: ows ,*suggest the comfort of sleep. Af?#ter all, it's th)e fa+\iry god\mo@[ther who spe aks the last ] words %. in the movie.