剧情简介
《残酷》讲述的是什么故事？
《残酷》Constantly on t,=h e hunt and[]! suffe.^rin $g from@; hallucinations that!;$ drive his violent (@ n[ ature, an unna+ m# ed])+ - #(man is capturing w! omen and^ + savagely beating them t:;o deat@(]h. Meanw\[ hi; l^e, a wo* .man i^s luri^-(ng men? : into ^]a viol -ent?-] end, b@ ] y way ! of)+? her knif.(e). Drive,] n b-,y $ th,e same force !@ ^=t$ +\o %:make th%=e opposit:e sex ; +suffe@*r_\ , the kill:)er s’ f$at. #es [^@inter$ $ twi$ne. The =t, !w/o must`; face of((f= in a[; b([attl?e @)\?to the de#ath, i.n wh/ich th@ey are forced to )rev^eal the hor rible truth/- be*h!; -ind their addiction_$_ to murd _er. “Bru (tal” . %$_takes an interestin/g app #(roa;##[ch to it! s visuals, draw !/in? g he# _avy; %? influence from Western #“Gr[@[i %ndhouse” _-films, )`# using a filter to make t*`he fo.?[otag#)e appear- g %rainy, damag=(?ed, and with light and co, l)%=or fluctuations. U%[_nfortunately, the v isual? styling #$+en;;+ds up f!(/eeli/;@n@,\g m? is # gu:!ided, a s oth)\e,r t !han ap pl#yi-@\ng the filter it doe@$_s not imitate =an[;y other aspec(.ts $;%of t@).-he “Grindhouse” genre. @ Despite tr ying t%o \[dirty up %,`the film, it./+ is ! app %-?are[nt it wa%,s sh-ot o$#n d igital]*. Th $e *ci$%)nematography is `!$also a step [_above most% ) “Gr/=ind; ]hous)? e” productions, =[` wit`h Ta:kashi Hirose proving he has (:talen %$t beh\#i.nd] the ca $me=ra. Ex%terior shots .^ to th- ]o* se taking place in small spa @ces are all comp#etently fra ,med`+-[, lit, and transition $:,well. Th -,e d( ecision. to ad *, d an e_.ffect on t ;op +? o*].f the work` h,.urts the fi-)]l:m//’s i mag]``ery and( even gives a sense ^ of #=d!esperation to try . to capture a certain type of -nost) algia with the] aud ienc e, instead of relyin@;g on its+] own st\:?rengths. It is unfortunate [@* w(hen one crea. ]tive choice can hurt a produ$`: ction so muc; \h. T#h.e ? story of “Brutal^#” is ^ simple#, but effe] ctive, it do ) es attempt som _+e sort o^-f so:, ;ci=al commentar)^y a^ bout ;; the vio ?(le -nt nature of %men and women, but !- )it . does not offer =enough d*epth i )nto the subject to`;; ^ just /)ify th e amount /$of violence on*? display. The fil `!m_ does end on a$$ strong note wi th an i ^nteresti ng twist(, wit(:*^ h a r :ev#+ ea?/ l t\hat%\! is bound to gross-: :=*some out, wh.ile givin# g other*(:^s a chuckl.=e. \/\=In spite $(of : its simple nat[, *ur* \ e)`, those ,who % e#njoy fil=m\s _;that make th_!em^ somew_h*/a;t uncomfor tab le a^ !nd = enjoy the \;[ chall\en !g!$/ e of gettin g through ]some ultra-violence, “Brut -al” pose(%!s a fu=`n and.( entert?a$ ;ining challenge in tha`t reg.ard.
一、《残酷》是哪一年上映的？
《残酷》是广濑贵士于2018年拍摄的一部经典恐怖片。此片开创日本当代恐怖片的先河，《残酷》上映时票房稳坐前三，创下当年纪录。当时Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata均为最佳主角，Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata以精彩演技和突出形象，奠定在日本影坛地位。Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata饰演角色造型多年后仍为人所模仿。广濑贵士之前曾被人怀疑其能力，而《残酷》却奠定广濑贵士恐怖片风格。《残酷》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2018年代）日本（日本）优秀恐怖片齐名。
二、被称为恐怖片的开先河之作的《残酷》，是广濑贵士最好的作品吗?
从广濑贵士斩获恐怖片最佳导演 我就觉得这部《残酷》是他最好的恐怖片。虽然广濑贵士后来还拍出来了评价特别好的恐怖片，但是《残酷》是他恐怖片的代表作品。
三、《残酷》为什么可以成为经典？
提起日本，人们就肯定会说出《残酷》的名字。这部由广濑贵士导演，Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata主演的《残酷》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连广濑贵士导演和Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata，都没想到这部恐怖片会得到这样好的反响。广濑贵士先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《残酷》开拍之前，Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata已经有几年年无戏可拍，而Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《残酷》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
四、如何评价《残酷》?
《残酷》口碑非常好深受广大观众喜爱，《残酷》一经播放立刻引来无数人点赞，不仅Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata演的好而且该恐怖片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《残酷》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata，她在该恐怖片中的演技可圈可点，受到Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata演的好而且该恐怖片迷的认可。
五、《残酷》恐怖片的主要内容
《残酷》是一部恐怖片恐怖片，由导演：广濑贵士执导，主演：Katrina,Grey,仁科贵,亚矢乃,Naho,Nakashima,Butch,Nanako,Ohata
《残酷》Constantly on t,=h e hunt and[]! suffe.^rin $g from@; hallucinations that!;$ drive his violent (@ n[ ature, an unna+ m# ed])+ - #(man is capturing w! omen and^ + savagely beating them t:;o deat@(]h. Meanw\[ hi; l^e, a wo* .man i^s luri^-(ng men? : into ^]a viol -ent?-] end, b@ ] y way ! of)+? her knif.(e). Drive,] n b-,y $ th,e same force !@ ^=t$ +\o %:make th%=e opposit:e sex ; +suffe@*r_\ , the kill:)er s’ f$at. #es [^@inter$ $ twi$ne. The =t, !w/o must`; face of((f= in a[; b([attl?e @)\?to the de#ath, i.n wh/ich th@ey are forced to )rev^eal the hor rible truth/- be*h!; -ind their addiction_$_ to murd _er. “Bru (tal” . %$_takes an interestin/g app #(roa;##[ch to it! s visuals, draw !/in? g he# _avy; %? influence from Western #“Gr[@[i %ndhouse” _-films, )`# using a filter to make t*`he fo.?[otag#)e appear- g %rainy, damag=(?ed, and with light and co, l)%=or fluctuations. U%[_nfortunately, the v isual? styling #$+en;;+ds up f!(/eeli/;@n@,\g m? is # gu:!ided, a s oth)\e,r t !han ap pl#yi-@\ng the filter it doe@$_s not imitate =an[;y other aspec(.ts $;%of t@).-he “Grindhouse” genre. @ Despite tr ying t%o \[dirty up %,`the film, it./+ is ! app %-?are[nt it wa%,s sh-ot o$#n d igital]*. Th $e *ci$%)nematography is `!$also a step [_above most% ) “Gr/=ind; ]hous)? e” productions, =[` wit`h Ta:kashi Hirose proving he has (:talen %$t beh\#i.nd] the ca $me=ra. Ex%terior shots .^ to th- ]o* se taking place in small spa @ces are all comp#etently fra ,med`+-[, lit, and transition $:,well. Th -,e d( ecision. to ad *, d an e_.ffect on t ;op +? o*].f the work` h,.urts the fi-)]l:m//’s i mag]``ery and( even gives a sense ^ of #=d!esperation to try . to capture a certain type of -nost) algia with the] aud ienc e, instead of relyin@;g on its+] own st\:?rengths. It is unfortunate [@* w(hen one crea. ]tive choice can hurt a produ$`: ction so muc; \h. T#h.e ? story of “Brutal^#” is ^ simple#, but effe] ctive, it do ) es attempt som _+e sort o^-f so:, ;ci=al commentar)^y a^ bout ;; the vio ?(le -nt nature of %men and women, but !- )it . does not offer =enough d*epth i )nto the subject to`;; ^ just /)ify th e amount /$of violence on*? display. The fil `!m_ does end on a$$ strong note wi th an i ^nteresti ng twist(, wit(:*^ h a r :ev#+ ea?/ l t\hat%\! is bound to gross-: :=*some out, wh.ile givin# g other*(:^s a chuckl.=e. \/\=In spite $(of : its simple nat[, *ur* \ e)`, those ,who % e#njoy fil=m\s _;that make th_!em^ somew_h*/a;t uncomfor tab le a^ !nd = enjoy the \;[ chall\en !g!$/ e of gettin g through ]some ultra-violence, “Brut -al” pose(%!s a fu=`n and.( entert?a$ ;ining challenge in tha`t reg.ard.