剧情简介
《外星)恶客》讲述的是什么故事？
《外星)恶客》Ou]t # o f the fif^ + ties 'B' Scien? ce- @Fi @.ction monste- r movies, th%!is ; ]easily ranks as,@; th *e be-!%st. It' `?]s most notable as th :e film #;tha=t AL,]?IEN is an un a@;ccredi\-\ ted[ , -r=--.emak=@e o]f#*$, th ]us gi]%ving )=#it a c#;%erta+ +_in his /tor+_ica,l sig]nif) =ic anc$ ,$[e!#. !$The ? =i ntrigu, *ing plot $: is about th#@ ,e res\!cue of the . ] on:`ly marooned surviv(`or+ (Col. Carruthers) ]!of a] n i `)ll-fated expeditio ,#!n @to +%(/Ma$rs. T[he authorities, p ig-he\#ade,- d as us=ual, falsely assu!(me that[ h%(e m;(urdered his %?fellow crew member+s, ,so that he$?\'d).- hav)e more p[rov [i](s-#ions `t(*o surv @/) i=v^e ; hence; he is b%eing br ought bac_ k t% =o Ea/rth to,$; face co[u (rt-martial. for murder. ;(!There is also a s)o$mewhat interes# ting ( plot= reversal ` here M_ost movies of this n% ?atu/]+re [_@usually begi= n wi\! t*(:h the shi*:p l [eaving Ear@th,@ ]enr] ;oute to its otherworld destination, %,while, in this ca %se, the sto,ry is?.* believed: finished, :$ and b]@` egins a/=s the chara:cters take-off from the othe r planet, +)re$turning to *, Earth). As th@:e rescue #^ship +,^_]is leaving Mars, a lurking, o minous shadow: is seen i+ n the lowe r compartment. (A fright@\_e(%ning, at mos;/pheric momen=) t, accompl)\@(ished th# @rough ] s+*+he$ er economy +and simplici,* ty).) Carruthers ins _-)ists of his innocence to his _ fel %?low cap! -tors, claiming that hi] s @\original crew ;,m$ates ,were slaug`%@h!)tered by a hostil^(`e, unseen p,re+$s[)]ence(: $ ).on_ the desolu+.te red planet, b ^ut three-guesses as\* to their? r\ea[*cti@;_?o ? n to hi `s un%%usu@ al ##!plea. ^ Na/t($:-u$rally,_ h/ e can't pro*%ve it, and 50's sp ^^a c_ e authorit.]ies ]were not very alien. :,=-conscience=, at th_ e time. (A* \s a% side-t(@ hou;+*gh]%t, unseen menace may `:@re*[mind you of that high([/ly orig ,.in`[al B`_LAIR WITCH). As everyon e +) sacks out, a hapl # ess supp ort@# ing ch(aract$or whose name is at the bo .t/tom of the c$^asting list (guess ^=`wha *##t will !@ h -^a:@ppe( n to hi,[m) hears som et ]hing i]n* the lower c: ompartment. Despite yo `u-@r futi*le d% on't go]: d][own there, you jerk! ple+.as, he does just that ,,. ) and* is appropriately ki $\lled :!(more like] thoroug _* ,h,ly(] [ obliterat\ed) `by the shadowy fig_:ure (with in#$sat\ iable blood lust] on its mind.(= I =n th-e victim``?'s case, d)_ere[liction of d? uty and she(er cow\( ardlin . ess woul(+:[d ^?have be_en the wis_@e decis `ion. The= scen+]e` is act!uall )y well-directed (fo r a _+chan =ge) and ` .devel=ops much suspe nse, ] as the entire film su=.rprisingly does. The c.rew finally c/` atches on that +;] _they have an_@ un :%)w\an-(] te ]!d ship \-cra sher on b oar,)d, and try e/[very possi :ble^* means at their disposal to elimin +ate it, : @but th/e `unk+=:nown creatur: _/e seems to =. *coppi)ng an an/ [`ti@#-d-(?eat` h attitu+(de. Pr+o ,ving to be $ an even more clever[=#, worthy adversary^, 'IT!' also hides out? in the ventilati-o^:n shaft_ s of`:= the s hi? ;p (now. that should/\ rin) g[ a b%^ell). Cahn's force!=ful dire ]ction gener[ ates cons)i`.dera%,ble ## tension as the malev,\-olen`t s%to ]waw+ ay works it ^:s way up fro*m ^ +one l/evel of /\,the co \nfined`^` ship \to _?the ne,/x._;t^*, event+#ually l )eaving th[\ e$ remaining chara%cte ` (rs( t[ rapped at the top. The movie's `- su)spense is blu)= nt and - right ;`to t_ $he`, point IT!' has to kill/ th_^e`!;m or sta rv e, :[_hence* ^`*t =hey[ have. to kill IT^! o ``r di)e. Nothing ?^-l)[ike those no t+*,wo way/ s about it choices. Rent it, or check :fo@^r it on ca :` ble- if` you w ]ish t_#o know the outcom%,e?+. For a low-bud/ %get qui/(cki@,e, \ IT! is quite impres@#siv#e and me\@;morab\;le. The dreaded se _[nse of claustrophobi) c) ten.=s;)i-$.on, r@ enderi,ng @ t (^h`e c. .haracters' !helpl;@% es .s ^e* nt= rapmen\?t, ) ,i; s h. ighl y e ,*f ;=/fect ^ive. Th:!is i]s a) ;^ pro\+du)ction in which th=^ # e li@=mited#: budget and s#,mall sets ^ actually wor;. k in favor of the pl* /ot's sc$ ?ary ambien,`ce ,/. The blac(k =@_ ^(white p.?hotog _ raphy (Y%[es, it's ?one $]of those!) h elps _to[`) e@nhanc )e it ;.s\ d/ ?ark, c+r(] ee%py mood, and the ]sens/ e of appr .ehe `nsio []n is quite high. [ =(Moder* =n day colo r ## freaks never see@m to t;\ake that ]i nto c onsi\` dera) *[ti ?*on ). Th@e pl*ot is also somewhat\ `; [.cyn$\ically ironic I $?f the creature ._h[adn't: stowed away on the ! ,ship,?( Carruther_s would have most lik [+e%:ly been %;-found #?)guilty of the : charges against him. The in:=telli.gent script (s\ ee [@what I mean] ab/ *out r-*are =@ity`.#) was penned;, by $n oted Scie $nce-Fict$%ion author Je\/rome= Bixb] y (reme^[mber)+ Twi@_li ght Zon_$:e'$ s /It's a [Good Life([+)(; T %he ,pictu #=;re's t+ aut editi(+ng` \eli;mi!/nates an[y extr an_\ $e` ;o]*; us dross. (A @LIEN tended t #o dr@ag in its firs# t hour with : #its sophomo/=ric\ @* ^ di?_alogue, and=?) why did it ) have t`** ;o#/@ includ e that stupid;!+ and ult-imat(^ely ]coun* ter-productive=. sub- p lot o^f A*_sh being a rob ot, and further_ d * rag*g/ing the s-=t ory down to ano,,ther/ big ba d consp_iracy\ !cliche UNN$EC:)!ESSARY!!!) D): ire`[ctor Cahn/`-* astute/l*y:) keeps the rubber);-suited monster off-screen and , in th, $e _,` shadow:_ s t ?hrough)-out most `:of$ the p]/@roceedings, _` keepin!^g your p! ar(anoid imaginatio[n on constant al\\-ert. Unfor[tuna!tely, /(perhaps at the st @=udio ? 's com $mercial insis?=?_tance, i@[ t , [#is a little ove)r-revealed at the cli .\ m ,ax, but I haven .*'t cl aimed this to-*;\ ?+be the pe]rfect masterpiece. The per[ formances, though no+thing :]/awa%?rd-winn%(ing_,! !+* are neverth,?e$ less cool en ]o: ,ugh so th\?;a:*t]+ one become s sincerely concerne d /!\as to thei) r f.-_ate?^*s. Not), many ]mov]@*ies in recent times ever c:]\%_ome +#close to a/chiev\-:ing ` that.] They ca:n b=e over-produ ,`ced /from! here ? to%%== eter(*nit+\?= y, an @ d usua lly on %)\ly succeed in being gloriously anno_ying . Thi=s +film's story is not really t/-otally .original (what is), for= it is bas? ed o ,n A.E.(/ Van /#Vogt's VOY AGE ^ [O.,;F THE SPACE ^BEAGLE. All _%-A)_ L :+#IEN fanatics shou$#:ld (.track down `@-$a`%n old us ed copy to see where t he initi _:al influe\nce came from. As l% ,$ong as you're not c ] raving another CGI wind-ding, you +may find it worthw h[ile. Ju!. st don't expec/t the+_@ women to be Ripl-%ey precursors. This was still +# %the sock-knittin @g f![ _i fties, sad t[+o sa y.
一、《外星)恶客》是哪一年上映的？
《外星)恶客》是Edward,L.,Cahn于1958年拍摄的一部经典恐怖片。此片开创美国当代恐怖片的先河，《外星)恶客》上映时票房稳坐前三，创下当年纪录。当时Marshall,Thompson,Shirley,Patterson,Kim,Spalding均为最佳主角，Marshall,Thompson,Shirley,Patterson,Kim,Spalding以精彩演技和突出形象，奠定在美国影坛地位。Marshall,Thompson,Shirley,Patterson,Kim,Spalding饰演角色造型多年后仍为人所模仿。Edward,L.,Cahn之前曾被人怀疑其能力，而《外星)恶客》却奠定Edward,L.,Cahn恐怖片风格。《外星)恶客》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1958年代）美国（美国）优秀恐怖片齐名。
二、被称为恐怖片的开先河之作的《外星)恶客》，是Edward,L.,Cahn最好的作品吗?
从Edward,L.,Cahn斩获恐怖片最佳导演 我就觉得这部《外星)恶客》是他最好的恐怖片。虽然Edward,L.,Cahn后来还拍出来了评价特别好的恐怖片，但是《外星)恶客》是他恐怖片的代表作品。
三、《外星)恶客》为什么可以成为经典？
提起美国，人们就肯定会说出《外星)恶客》的名字。这部由Edward,L.,Cahn导演，Marshall,Thompson,Shirley,Patterson,Kim,Spalding主演的《外星)恶客》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Edward,L.,Cahn导演和Marshall,Thompson,Shirley,Patterson,Kim,Spalding，都没想到这部恐怖片会得到这样好的反响。Edward,L.,Cahn先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《外星)恶客》开拍之前，Marshall,Thompson,Shirley,Patterson,Kim,Spalding已经有几年年无戏可拍，而Marshall,Thompson,Shirley,Patterson,Kim,Spalding主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《外星)恶客》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
四、如何评价《外星)恶客》?
《外星)恶客》口碑非常好深受广大观众喜爱，《外星)恶客》一经播放立刻引来无数人点赞，不仅Marshall,Thompson,Shirley,Patterson,Kim,Spalding演的好而且该恐怖片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《外星)恶客》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演Marshall,Thompson,Shirley,Patterson,Kim,Spalding，她在该恐怖片中的演技可圈可点，受到Marshall,Thompson,Shirley,Patterson,Kim,Spalding演的好而且该恐怖片迷的认可。
五、《外星)恶客》恐怖片的主要内容
《外星)恶客》是一部恐怖片恐怖片，由导演：Edward,L.,Cahn执导，主演：Marshall,Thompson,Shirley,Patterson,Kim,Spalding
《外星)恶客》Ou]t # o f the fif^ + ties 'B' Scien? ce- @Fi @.ction monste- r movies, th%!is ; ]easily ranks as,@; th *e be-!%st. It' `?]s most notable as th :e film #;tha=t AL,]?IEN is an un a@;ccredi\-\ ted[ , -r=--.emak=@e o]f#*$, th ]us gi]%ving )=#it a c#;%erta+ +_in his /tor+_ica,l sig]nif) =ic anc$ ,$[e!#. !$The ? =i ntrigu, *ing plot $: is about th#@ ,e res\!cue of the . ] on:`ly marooned surviv(`or+ (Col. Carruthers) ]!of a] n i `)ll-fated expeditio ,#!n @to +%(/Ma$rs. T[he authorities, p ig-he\#ade,- d as us=ual, falsely assu!(me that[ h%(e m;(urdered his %?fellow crew member+s, ,so that he$?\'d).- hav)e more p[rov [i](s-#ions `t(*o surv @/) i=v^e ; hence; he is b%eing br ought bac_ k t% =o Ea/rth to,$; face co[u (rt-martial. for murder. ;(!There is also a s)o$mewhat interes# ting ( plot= reversal ` here M_ost movies of this n% ?atu/]+re [_@usually begi= n wi\! t*(:h the shi*:p l [eaving Ear@th,@ ]enr] ;oute to its otherworld destination, %,while, in this ca %se, the sto,ry is?.* believed: finished, :$ and b]@` egins a/=s the chara:cters take-off from the othe r planet, +)re$turning to *, Earth). As th@:e rescue #^ship +,^_]is leaving Mars, a lurking, o minous shadow: is seen i+ n the lowe r compartment. (A fright@\_e(%ning, at mos;/pheric momen=) t, accompl)\@(ished th# @rough ] s+*+he$ er economy +and simplici,* ty).) Carruthers ins _-)ists of his innocence to his _ fel %?low cap! -tors, claiming that hi] s @\original crew ;,m$ates ,were slaug`%@h!)tered by a hostil^(`e, unseen p,re+$s[)]ence(: $ ).on_ the desolu+.te red planet, b ^ut three-guesses as\* to their? r\ea[*cti@;_?o ? n to hi `s un%%usu@ al ##!plea. ^ Na/t($:-u$rally,_ h/ e can't pro*%ve it, and 50's sp ^^a c_ e authorit.]ies ]were not very alien. :,=-conscience=, at th_ e time. (A* \s a% side-t(@ hou;+*gh]%t, unseen menace may `:@re*[mind you of that high([/ly orig ,.in`[al B`_LAIR WITCH). As everyon e +) sacks out, a hapl # ess supp ort@# ing ch(aract$or whose name is at the bo .t/tom of the c$^asting list (guess ^=`wha *##t will !@ h -^a:@ppe( n to hi,[m) hears som et ]hing i]n* the lower c: ompartment. Despite yo `u-@r futi*le d% on't go]: d][own there, you jerk! ple+.as, he does just that ,,. ) and* is appropriately ki $\lled :!(more like] thoroug _* ,h,ly(] [ obliterat\ed) `by the shadowy fig_:ure (with in#$sat\ iable blood lust] on its mind.(= I =n th-e victim``?'s case, d)_ere[liction of d? uty and she(er cow\( ardlin . ess woul(+:[d ^?have be_en the wis_@e decis `ion. The= scen+]e` is act!uall )y well-directed (fo r a _+chan =ge) and ` .devel=ops much suspe nse, ] as the entire film su=.rprisingly does. The c.rew finally c/` atches on that +;] _they have an_@ un :%)w\an-(] te ]!d ship \-cra sher on b oar,)d, and try e/[very possi :ble^* means at their disposal to elimin +ate it, : @but th/e `unk+=:nown creatur: _/e seems to =. *coppi)ng an an/ [`ti@#-d-(?eat` h attitu+(de. Pr+o ,ving to be $ an even more clever[=#, worthy adversary^, 'IT!' also hides out? in the ventilati-o^:n shaft_ s of`:= the s hi? ;p (now. that should/\ rin) g[ a b%^ell). Cahn's force!=ful dire ]ction gener[ ates cons)i`.dera%,ble ## tension as the malev,\-olen`t s%to ]waw+ ay works it ^:s way up fro*m ^ +one l/evel of /\,the co \nfined`^` ship \to _?the ne,/x._;t^*, event+#ually l )eaving th[\ e$ remaining chara%cte ` (rs( t[ rapped at the top. The movie's `- su)spense is blu)= nt and - right ;`to t_ $he`, point IT!' has to kill/ th_^e`!;m or sta rv e, :[_hence* ^`*t =hey[ have. to kill IT^! o ``r di)e. Nothing ?^-l)[ike those no t+*,wo way/ s about it choices. Rent it, or check :fo@^r it on ca :` ble- if` you w ]ish t_#o know the outcom%,e?+. For a low-bud/ %get qui/(cki@,e, \ IT! is quite impres@#siv#e and me\@;morab\;le. The dreaded se _[nse of claustrophobi) c) ten.=s;)i-$.on, r@ enderi,ng @ t (^h`e c. .haracters' !helpl;@% es .s ^e* nt= rapmen\?t, ) ,i; s h. ighl y e ,*f ;=/fect ^ive. Th:!is i]s a) ;^ pro\+du)ction in which th=^ # e li@=mited#: budget and s#,mall sets ^ actually wor;. k in favor of the pl* /ot's sc$ ?ary ambien,`ce ,/. The blac(k =@_ ^(white p.?hotog _ raphy (Y%[es, it's ?one $]of those!) h elps _to[`) e@nhanc )e it ;.s\ d/ ?ark, c+r(] ee%py mood, and the ]sens/ e of appr .ehe `nsio []n is quite high. [ =(Moder* =n day colo r ## freaks never see@m to t;\ake that ]i nto c onsi\` dera) *[ti ?*on ). Th@e pl*ot is also somewhat\ `; [.cyn$\ically ironic I $?f the creature ._h[adn't: stowed away on the ! ,ship,?( Carruther_s would have most lik [+e%:ly been %;-found #?)guilty of the : charges against him. The in:=telli.gent script (s\ ee [@what I mean] ab/ *out r-*are =@ity`.#) was penned;, by $n oted Scie $nce-Fict$%ion author Je\/rome= Bixb] y (reme^[mber)+ Twi@_li ght Zon_$:e'$ s /It's a [Good Life([+)(; T %he ,pictu #=;re's t+ aut editi(+ng` \eli;mi!/nates an[y extr an_\ $e` ;o]*; us dross. (A @LIEN tended t #o dr@ag in its firs# t hour with : #its sophomo/=ric\ @* ^ di?_alogue, and=?) why did it ) have t`** ;o#/@ includ e that stupid;!+ and ult-imat(^ely ]coun* ter-productive=. sub- p lot o^f A*_sh being a rob ot, and further_ d * rag*g/ing the s-=t ory down to ano,,ther/ big ba d consp_iracy\ !cliche UNN$EC:)!ESSARY!!!) D): ire`[ctor Cahn/`-* astute/l*y:) keeps the rubber);-suited monster off-screen and , in th, $e _,` shadow:_ s t ?hrough)-out most `:of$ the p]/@roceedings, _` keepin!^g your p! ar(anoid imaginatio[n on constant al\\-ert. Unfor[tuna!tely, /(perhaps at the st @=udio ? 's com $mercial insis?=?_tance, i@[ t , [#is a little ove)r-revealed at the cli .\ m ,ax, but I haven .*'t cl aimed this to-*;\ ?+be the pe]rfect masterpiece. The per[ formances, though no+thing :]/awa%?rd-winn%(ing_,! !+* are neverth,?e$ less cool en ]o: ,ugh so th\?;a:*t]+ one become s sincerely concerne d /!\as to thei) r f.-_ate?^*s. Not), many ]mov]@*ies in recent times ever c:]\%_ome +#close to a/chiev\-:ing ` that.] They ca:n b=e over-produ ,`ced /from! here ? to%%== eter(*nit+\?= y, an @ d usua lly on %)\ly succeed in being gloriously anno_ying . Thi=s +film's story is not really t/-otally .original (what is), for= it is bas? ed o ,n A.E.(/ Van /#Vogt's VOY AGE ^ [O.,;F THE SPACE ^BEAGLE. All _%-A)_ L :+#IEN fanatics shou$#:ld (.track down `@-$a`%n old us ed copy to see where t he initi _:al influe\nce came from. As l% ,$ong as you're not c ] raving another CGI wind-ding, you +may find it worthw h[ile. Ju!. st don't expec/t the+_@ women to be Ripl-%ey precursors. This was still +# %the sock-knittin @g f![ _i fties, sad t[+o sa y.