剧情简介
《冰刀》讲述的是什么故事？
《冰刀》This earl.( y 70' s gia$/llo -) by )^ ? Umberto Lenz@,i:(( is^\$ certainly a*$ \mong the best-! %in ; his `.filmo( g[?@raphy and also in the whole genre. Per++/s+onally :I think %Lenzi's best films . are the ] funny\` cart,_oo# +n( -`_-tur _;(n(?;+ed-fil % m - Kr,im: _inal, the stylish giallo .Seven Blood-Stained Or/@ chids, the explosiv. e Napoli violenta and this. In th*! e @ eighti\:es he did p?len-ty ;_ of f (;i,]__+lm=^] trash* ^in)] form of Eaten ,Alive,$ Hitch /er in the Dark or Black D:, emon#s, $$-all of w,==hich a _re ripping som\# ethi ng off # andor ve ry =! du]ll an ?d slo/ w mo?ving:#(. ` Knife of Ice came when the giallo boom was ::at it_,s hottes( t a^nd the ^* resul!t is -#convincing. Technicall/#!y the film ,is su$p $,er`b, containing$\?* g reat? (cine mato /graphy i:?n t?/he ;! beginni=*\ng when we+_; le[arn about the main character 's traum/([a tow ,#ards %(trains. From this poi*!=^n t on,:/ L?!en;zi sh$:ows us hi#_ s / (ability to benefit the wides,%#c?:,reen a=nd, );for example , #th%#e _;]$bicycle; ^/ri=de nea[r ,the for)est i* ,;s genuinel ,y* beaut\ @if.=?ul! Th. is sc/ ;e % -ne also ^=shows Len;\ z.(+i's ab*/ility to %. b?=uild suspense, very slow%$?ly but mean, !ingfully. =[+After a:?*ll, +%^there are[(`n'_t so many murders i` )n t#he +$whole film, onl*#y [ t(]he suspense circulati ng around the murderer] 's identity. One su [%spe ct is a devil w.(@orshipper w/ hich bri,n)gs +ne=`w ^$ aspect ._s ] [: to .$ th() ^!e mystery. Since t `he.)# fin? #al scen` e takes pla! ce*. in a church, one can wonder if Len`zi @*wanted to comment on somethin/g, ma^ybe the _ hypocritica- l moral;e of church and super[st?i[ tion.,^?` Th / e m`^ai\n char] (acter (Carrol Baker) is mute whic\h? demands ` /a lot fro m her face and e \,yes. The a,#ctr`__#ess- % works ver*.y well, giving ,=us a bel@/-i `evab_@(le performance c /irculati*=$ng around. the e/motio@n` s ,of ([fe ar and ment al pain. ?/T ].h`; e other act^ors $(/are good, too.:^ T)] @!he fina ^.ll.-y, howev .er, [may not g*,[ive too po#`s.%itive a sight about+ female sex since they all are exp? ressed %#+rather negatively in :the f ilm.*, ,)one way/ ; ^)o$.r another. Still% this *i#%^s easily am!on g t#^\he m+ost not`. ew; ,\orthy i+-n the genre, no , t as blood(^y [as t`.*he A`rgen to /:film?:s, for example, but equa%(@lly` s+usp enseful -^]and vis ually a*@lso inter-\e`s!,ting.
一、《冰刀》是哪一年上映的？
《冰刀》是翁贝托·伦齐于1972年拍摄的一部经典恐怖片。此片开创其它当代恐怖片的先河，《冰刀》上映时票房稳坐前三，创下当年纪录。当时卡罗尔·贝克,艾伦·斯科特均为最佳主角，卡罗尔·贝克,艾伦·斯科特以精彩演技和突出形象，奠定在其它影坛地位。卡罗尔·贝克,艾伦·斯科特饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《冰刀》却奠定翁贝托·伦齐恐怖片风格。《冰刀》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀恐怖片齐名。
二、被称为恐怖片的开先河之作的《冰刀》，是翁贝托·伦齐最好的作品吗?
从翁贝托·伦齐斩获恐怖片最佳导演 我就觉得这部《冰刀》是他最好的恐怖片。虽然翁贝托·伦齐后来还拍出来了评价特别好的恐怖片，但是《冰刀》是他恐怖片的代表作品。
三、《冰刀》为什么可以成为经典？
提起其它，人们就肯定会说出《冰刀》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,艾伦·斯科特主演的《冰刀》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连翁贝托·伦齐导演和卡罗尔·贝克,艾伦·斯科特，都没想到这部恐怖片会得到这样好的反响。翁贝托·伦齐先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《冰刀》开拍之前，卡罗尔·贝克,艾伦·斯科特已经有几年年无戏可拍，而卡罗尔·贝克,艾伦·斯科特主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的热情，是我们难以想象的，其实《冰刀》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典恐怖片，也成就了他们自己！
四、如何评价《冰刀》?
《冰刀》口碑非常好深受广大观众喜爱，《冰刀》一经播放立刻引来无数人点赞，不仅卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《冰刀》收视率一般但是该片目前受欢迎程度已经名列前茅。该恐怖片主演卡罗尔·贝克,艾伦·斯科特，她在该恐怖片中的演技可圈可点，受到卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片迷的认可。
五、《冰刀》恐怖片的主要内容
《冰刀》是一部恐怖片恐怖片，由导演：翁贝托·伦齐执导，主演：卡罗尔·贝克,艾伦·斯科特
《冰刀》This earl.( y 70' s gia$/llo -) by )^ ? Umberto Lenz@,i:(( is^\$ certainly a*$ \mong the best-! %in ; his `.filmo( g[?@raphy and also in the whole genre. Per++/s+onally :I think %Lenzi's best films . are the ] funny\` cart,_oo# +n( -`_-tur _;(n(?;+ed-fil % m - Kr,im: _inal, the stylish giallo .Seven Blood-Stained Or/@ chids, the explosiv. e Napoli violenta and this. In th*! e @ eighti\:es he did p?len-ty ;_ of f (;i,]__+lm=^] trash* ^in)] form of Eaten ,Alive,$ Hitch /er in the Dark or Black D:, emon#s, $$-all of w,==hich a _re ripping som\# ethi ng off # andor ve ry =! du]ll an ?d slo/ w mo?ving:#(. ` Knife of Ice came when the giallo boom was ::at it_,s hottes( t a^nd the ^* resul!t is -#convincing. Technicall/#!y the film ,is su$p $,er`b, containing$\?* g reat? (cine mato /graphy i:?n t?/he ;! beginni=*\ng when we+_; le[arn about the main character 's traum/([a tow ,#ards %(trains. From this poi*!=^n t on,:/ L?!en;zi sh$:ows us hi#_ s / (ability to benefit the wides,%#c?:,reen a=nd, );for example , #th%#e _;]$bicycle; ^/ri=de nea[r ,the for)est i* ,;s genuinel ,y* beaut\ @if.=?ul! Th. is sc/ ;e % -ne also ^=shows Len;\ z.(+i's ab*/ility to %. b?=uild suspense, very slow%$?ly but mean, !ingfully. =[+After a:?*ll, +%^there are[(`n'_t so many murders i` )n t#he +$whole film, onl*#y [ t(]he suspense circulati ng around the murderer] 's identity. One su [%spe ct is a devil w.(@orshipper w/ hich bri,n)gs +ne=`w ^$ aspect ._s ] [: to .$ th() ^!e mystery. Since t `he.)# fin? #al scen` e takes pla! ce*. in a church, one can wonder if Len`zi @*wanted to comment on somethin/g, ma^ybe the _ hypocritica- l moral;e of church and super[st?i[ tion.,^?` Th / e m`^ai\n char] (acter (Carrol Baker) is mute whic\h? demands ` /a lot fro m her face and e \,yes. The a,#ctr`__#ess- % works ver*.y well, giving ,=us a bel@/-i `evab_@(le performance c /irculati*=$ng around. the e/motio@n` s ,of ([fe ar and ment al pain. ?/T ].h`; e other act^ors $(/are good, too.:^ T)] @!he fina ^.ll.-y, howev .er, [may not g*,[ive too po#`s.%itive a sight about+ female sex since they all are exp? ressed %#+rather negatively in :the f ilm.*, ,)one way/ ; ^)o$.r another. Still% this *i#%^s easily am!on g t#^\he m+ost not`. ew; ,\orthy i+-n the genre, no , t as blood(^y [as t`.*he A`rgen to /:film?:s, for example, but equa%(@lly` s+usp enseful -^]and vis ually a*@lso inter-\e`s!,ting.