剧情简介
《等待,*方舟》讲述的是什么故事？
《等待,*方舟》Set in ) an*? underground /dunge# ,$o!n inhabit?ed by @ bu/;ndled, ragged% human beings ., `!after the n_uclear hol ocaus)%t. The \story f@ollows the wander=-ings of a hero t hrou ^)gh the sit.uat,ion( s _of surv:ival. People @w*])ait for]@% the Ark to!-$. arrive and ?resc]ue them + +while their h@$=a*,b itat fal!-ls apart. , Delving deep int$o t$$ #he dust`y and long ab-\and-o)\/-n+?:/ded$ vaults of b-cinema i #;`n sea-*rch o f lost gems ]=_always leaves me\`?-_ with a -[bitters(@ w?eet ta)st==`e. On one ha/nd th #e]/] .dis(covery of unexpe, #]cted g+ `:ems wh;@ere: no one w ]ou ]%ld think them -p$ os!sible is a rewardin];]g exp;erience. On the o $t #h+^!e \r hand th#ough *-i t make;.s one wonder how m#_any of these r?# emarkable low-bu d]get oddities, persona ^l love affairs of direc+\tors neve=?( (r quite%` f%(`amou s an/;#d now all but for;,!gott]-en, have almos `t#^ forever slippe+\d @fro\[/m memory ( .n any(] case \ what ?we hav+]e here is a? little post-:/apoc^alyptic gem fro)m:] Poland that =-is :)$really bette++\r than /#it] has any right to. Th e dystopia,(.n n_$ear future of O-B)/:I, O-; #BA finds a grou p_; of sur !v .`ivors (? o[]f t;:he nucl @-e (a,-r war that ravaged ! the Earth in;habitin + =g an underworld concret e bunker and biding%$ th?@`eir ?[time as (+ they wait for the mysterious Ark, a:^n air[ ship of ): some kind th$)at w:^ill/ come a `nd$ sav*e )%+ them. The Ark ,proves to. = be( an elabor`ate h/ o$[= ax?, carefull #y d_:$ esigned t=o :_ give =. hop?e to the mal;%nourish?[.ed and de*s perate denizens of[^ the bu,+$nk;er,, while in the meant= im ;e%$ the dome :that separat(es their misera#bl= e existe)nce$ / from the nucl ear win ^ter _/\ outside ,i( s ;sl[owly cav(?ing in)_]%. What*] first strik/%)ed me about the *mov]^: ie% is !the ; .design of the bunke%r ^#. and t()!`he depiction o* f .t# he su])(rv %iv; !ors. The @ surv +ivors) + are gaunt, fi?lthy an*d ter#)rib^le)-look.ing peniten%@.ts[:`), dre ss(ed in ra[[gs a[ nd aimlessl-@+y wandering* the neon-l /it#^ \ h .*alls of the bunker like automatons. The bunk $er is a rund( own, seedy = place, with bri * ght neon lights _ p^`eering from_, all[ sides l ike! t \?+he.@ ?=#ey-e$ s of ma lignant beasts. On one han d it[ is a sli ,!ght?ly 80's ^ +depi-+?cti+on *-of:) the dysto.pian future but*-: the movie never s^@# toops d own to MAD ! /MAX cheese. Instead it combin*es b itin% g pol%iti[[c)$;=al sat` .ire = %!with the blea%k ).?outlo_ok of a world wi ]th; ,! no future(., black comedy with? barb$ ] @s on apa!thy, r`eligi on and];= power. The sur vivors, f-or# exampl] :e, ar e f +\/ed= some kind of flo*: ur dro *]_,p;+ - ping from a tube th#+at h:%*?overs i@,n (_the air - l@, ater on we discover t@`;he f)$ood superviso]r uses- books and ! th \e@ Bib l#`e itself as filler for t @his meagre meal. There are _ ^ ma\ :ny suc*h short symbolic touches,\ [` perhaps not life-c=_han^#;g[i-ng or$ % fa*ith-res^[\^toring, ye# %t p$%!layful, cleve+ +=?r ,.\ +and^ *)i;n=sp -=ired. One thin .g is fo:r `#=sure; O- .-,BI, O-BA is not yo%ur (-_ru:.\_n-of-the-mill sci-fi sc .h:. ]lock#-. It overcomes its modest bu#dget with creativity and ![$has g: enuine artis%t? ic asp`% ira\ ti-?(ons both f?rom a wr?`.iting a $\nd di -rect)ing perspec tive?. My o pinion is that it should have b#een; ] *film?)! ed ^ in ;;black and w)[hit e i ;;nstea ?d `of colour thoug,#h?. Th%e `_director+ ?*use;s atmosp heric ligh`*t \and =, shadow @ to great effe$:ct and it would h_ave+? re$-gistered e$[@ven bett er $:in stark black and whit:;-e. The blue-green n!;!(eon on the o ther* hand outstays_ its welcom)] (e after a while. ;/J =%ust a # minor )* ;g $ripe !in an otherwise so -lid b-)mov@ie with @? its heart s !et _+\in all ?t \he.+ right)_ plac@ es. Imagin e a less bleak;/* T!! H]E ROA,:D (C@ ,or mac ,=,\McCart-=@hy(:%) being inje +cted w it h `$-the sat:!$ire ^; `an- d humour *; of DR.STRANGELOVE a#nd yo u'$/r(`e getting t-=here. See it^*. if you c==a@ `n find it.
一、《等待,*方舟》是哪一年上映的？
《等待,*方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《等待,*方舟》上映时票房稳坐前三，创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象，奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力，而《等待,*方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待,*方舟》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1985年代）其它（其它）优秀科幻片齐名。
二、被称为科幻片的开先河之作的《等待,*方舟》，是皮奥特尔·舒尔金最好的作品吗?
从皮奥特尔·舒尔金斩获科幻片最佳导演 我就觉得这部《等待,*方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片，但是《等待,*方舟》是他科幻片的代表作品。
三、《等待,*方舟》为什么可以成为经典？
提起其它，人们就肯定会说出《等待,*方舟》的名字。这部由皮奥特尔·舒尔金导演，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待,*方舟》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待,*方舟》开拍之前，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年年无戏可拍，而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在科幻片中投入的热情，是我们难以想象的，其实《等待,*方舟》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典科幻片，也成就了他们自己！
四、如何评价《等待,*方舟》?
《等待,*方舟》口碑非常好深受广大观众喜爱，《等待,*方舟》一经播放立刻引来无数人点赞，不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《等待,*方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，她在该科幻片中的演技可圈可点，受到耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片迷的认可。
五、《等待,*方舟》科幻片的主要内容
《等待,*方舟》是一部科幻片科幻片，由导演：皮奥特尔·舒尔金执导，主演：耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
《等待,*方舟》Set in ) an*? underground /dunge# ,$o!n inhabit?ed by @ bu/;ndled, ragged% human beings ., `!after the n_uclear hol ocaus)%t. The \story f@ollows the wander=-ings of a hero t hrou ^)gh the sit.uat,ion( s _of surv:ival. People @w*])ait for]@% the Ark to!-$. arrive and ?resc]ue them + +while their h@$=a*,b itat fal!-ls apart. , Delving deep int$o t$$ #he dust`y and long ab-\and-o)\/-n+?:/ded$ vaults of b-cinema i #;`n sea-*rch o f lost gems ]=_always leaves me\`?-_ with a -[bitters(@ w?eet ta)st==`e. On one ha/nd th #e]/] .dis(covery of unexpe, #]cted g+ `:ems wh;@ere: no one w ]ou ]%ld think them -p$ os!sible is a rewardin];]g exp;erience. On the o $t #h+^!e \r hand th#ough *-i t make;.s one wonder how m#_any of these r?# emarkable low-bu d]get oddities, persona ^l love affairs of direc+\tors neve=?( (r quite%` f%(`amou s an/;#d now all but for;,!gott]-en, have almos `t#^ forever slippe+\d @fro\[/m memory ( .n any(] case \ what ?we hav+]e here is a? little post-:/apoc^alyptic gem fro)m:] Poland that =-is :)$really bette++\r than /#it] has any right to. Th e dystopia,(.n n_$ear future of O-B)/:I, O-; #BA finds a grou p_; of sur !v .`ivors (? o[]f t;:he nucl @-e (a,-r war that ravaged ! the Earth in;habitin + =g an underworld concret e bunker and biding%$ th?@`eir ?[time as (+ they wait for the mysterious Ark, a:^n air[ ship of ): some kind th$)at w:^ill/ come a `nd$ sav*e )%+ them. The Ark ,proves to. = be( an elabor`ate h/ o$[= ax?, carefull #y d_:$ esigned t=o :_ give =. hop?e to the mal;%nourish?[.ed and de*s perate denizens of[^ the bu,+$nk;er,, while in the meant= im ;e%$ the dome :that separat(es their misera#bl= e existe)nce$ / from the nucl ear win ^ter _/\ outside ,i( s ;sl[owly cav(?ing in)_]%. What*] first strik/%)ed me about the *mov]^: ie% is !the ; .design of the bunke%r ^#. and t()!`he depiction o* f .t# he su])(rv %iv; !ors. The @ surv +ivors) + are gaunt, fi?lthy an*d ter#)rib^le)-look.ing peniten%@.ts[:`), dre ss(ed in ra[[gs a[ nd aimlessl-@+y wandering* the neon-l /it#^ \ h .*alls of the bunker like automatons. The bunk $er is a rund( own, seedy = place, with bri * ght neon lights _ p^`eering from_, all[ sides l ike! t \?+he.@ ?=#ey-e$ s of ma lignant beasts. On one han d it[ is a sli ,!ght?ly 80's ^ +depi-+?cti+on *-of:) the dysto.pian future but*-: the movie never s^@# toops d own to MAD ! /MAX cheese. Instead it combin*es b itin% g pol%iti[[c)$;=al sat` .ire = %!with the blea%k ).?outlo_ok of a world wi ]th; ,! no future(., black comedy with? barb$ ] @s on apa!thy, r`eligi on and];= power. The sur vivors, f-or# exampl] :e, ar e f +\/ed= some kind of flo*: ur dro *]_,p;+ - ping from a tube th#+at h:%*?overs i@,n (_the air - l@, ater on we discover t@`;he f)$ood superviso]r uses- books and ! th \e@ Bib l#`e itself as filler for t @his meagre meal. There are _ ^ ma\ :ny suc*h short symbolic touches,\ [` perhaps not life-c=_han^#;g[i-ng or$ % fa*ith-res^[\^toring, ye# %t p$%!layful, cleve+ +=?r ,.\ +and^ *)i;n=sp -=ired. One thin .g is fo:r `#=sure; O- .-,BI, O-BA is not yo%ur (-_ru:.\_n-of-the-mill sci-fi sc .h:. ]lock#-. It overcomes its modest bu#dget with creativity and ![$has g: enuine artis%t? ic asp`% ira\ ti-?(ons both f?rom a wr?`.iting a $\nd di -rect)ing perspec tive?. My o pinion is that it should have b#een; ] *film?)! ed ^ in ;;black and w)[hit e i ;;nstea ?d `of colour thoug,#h?. Th%e `_director+ ?*use;s atmosp heric ligh`*t \and =, shadow @ to great effe$:ct and it would h_ave+? re$-gistered e$[@ven bett er $:in stark black and whit:;-e. The blue-green n!;!(eon on the o ther* hand outstays_ its welcom)] (e after a while. ;/J =%ust a # minor )* ;g $ripe !in an otherwise so -lid b-)mov@ie with @? its heart s !et _+\in all ?t \he.+ right)_ plac@ es. Imagin e a less bleak;/* T!! H]E ROA,:D (C@ ,or mac ,=,\McCart-=@hy(:%) being inje +cted w it h `$-the sat:!$ire ^; `an- d humour *; of DR.STRANGELOVE a#nd yo u'$/r(`e getting t-=here. See it^*. if you c==a@ `n find it.