剧情简介
《米兰%#九口径》讲述的是什么故事？
《米兰%#九口径》Fernando Di Leo 's Milan][o ,Calibro :9 i]s an *^ @out-and-_@`out ma ]sterp/]i^.ece of I@=tal*(ia;n _#Crime cinema and_ , i!`n my^ opinion, one of the most astonishing cr_$_ime stories!$ ever t! old. Th] )e fi^rst film in Di Leo='s *$ exce@ `l] lent 'Milie:u' tri(-%) logy, Milano Calibro$= !!?@9 w$as fo,! ll) owed by *La ` M+-:ala Ord/ ina ( aka. Manhunt , also );1972) and the br[;illiant ?Il B) ^^os]:s (;1 973). The three films ar+# e n #ot connected st *or./y-wise, -) but @all three are ex? $(cellent, an^@d high=ly realistic portrayals of org=anized cri,me.; @ As far as I a;#)= m concern^ed Manhunt is (allthough exc ellent ` ) )sli ! ghtly \ ^inf\]erio _!r to this one an* d `Il Boss w /hic+h ] ?both s:t =a ^nd out [ %as abso; lut*)-e all-time hig:,,h^ lig%-hts ;of cr=^im!_e=! cinema. Milano Calibro 9 is the be- st of ,!them a ll, a f= + )ilm tha_ !t is astonishing in a]ll as);pec#ts, be\ it the** \in@genious pl!/o ;t that:.? , ap= art from a compelling st[*%o , r y an;d clever twi;sts, includes so cial criticism, ? the perfor#mances` , the ; * gritty atmosphere and suspense or the brill iant ,^^ score. I can har`@*dl$:.y +find the#* right w o%(\rds t$ o e$xpress my/ a _dm_i\+=rati,on f- (!]or t! h:i; ;@s ma s;+;terp[ +i ece which easily ranks am,`o.-n !g t%.he \ gre- ates /t Ga[ngster )f% =lick]- s ever bro))ug /ht to s%^_+%cre; -(en. *Gastone Mo%schi/!n stars as Ug(o( Piazza, a tough a:nd ! ell ip(tical ex-c%# o#nvict= wh!o has just :(been relea *#se]( d from priso`%(n. Immedi+atel*y *afte ^r his release, Ugo is )approached by] )*%[mem bers of the !^ Mila (n mob %/lead b y t\*he irasc*ible . ga- ngster [ Rocco ^_(M/(ario Ador/(?/f), `$ as t,hey suspec ? ,t him to _be res?pon- sible for the di /\\sappea$rance[ ` of.=] a lar ge s$.um of.(+ mone);=.y belonging to_ t`\hei,[\(r. bos`#s, an Amer/ica-n_ ] (Lion%el ^Stand;=er)-[ !@wh _o @co@/ntr_++ols the; ^- or^ (ganize[ d crim;e in Mi. lan.^ .. Milano Calibro 9 is a^ :film that deliv`)/er( s a ]n astonishingly realistic mo?` od of the und erworld like hardl ^y an*o@\-`$ther. Th@* e )\*i*ntriguing = sto ryline :goes in =ha nd with interesting characters,! raw atm @osphe]@re, suspense and br]%/^.eathta,)?ki:,@#ng action, social- criticism and bruta:l violenc[,e. The film is @/simply stunn/_\ing fr+! om !the beg )i/= nning to the end, w-`h ^ich is e #ven intensified by# the bril;:`l^%iant \)@scor^!?e, a collaboration of( the famous .compo-= ;se #r )`-L ;uis Enríquez Bacalov and the I )#t.$ :a lian Progressive Ro`)c. \k band Osanna. _((Ugo P` iazza must be one of the^*^ most charismatic gangster characte rs @ever in ci ne ? ma, an@;d#@ Gast.!one Mosch._in wa s _^;the pr*=efect cho# i^ce for the role.@@ Moschin delivers a br_ill/i% ant +^perfo ^)$rmance, an*+d the rest of ;the cast \is a\l$## so gre: +,a#,t)[;. M?* ario Adorf is irascible l,*i -ke a rabid *) @dog /# as the ferocious gangster R=^occo, a )!rol_\e that fits him ) l[ ike a# g`/lo#ve. The )!gre# a ,t +Lionel-. St,/ander _fi ts perfectly in.?; his ,,r ole of the A]merican Mafia Don. T_+h.^e t %wo co p char: act!!/ers in !^ t`/ he film are !^\playe ,`\d by two of^- the gr(:eatest regul?`ars of Ital!,^ian genre-cinema, Luigi Pistilli and.;- Frank( Wolff (who` committed s)([ui/%cide before the film was released). The_@ ravishing Barba# ra Bouche #.%t is astonis#^hing a nd incre dibly sexy in the role of Ugo Piaz;,za's s .*tr\\.ipper girlfrien;*d. Bouchet* is / ^both a stun)+#nin;- g beauty a nd an__ excellent!, ac_ tre$/ ss* `$ and this is doub tl]=-essly *[one [ of h ,er m+..!ost memorable roles*-.!^ Thi+ s % is also a %po]^@litical film +!and=_ direct,]or Di # Leo)- e) $m.\b_e%d*de! /d a:% lot of- s,[ocial criti#;cism about topics (like c[/,,orruption. T,-his fi_lm simply*, has# every ] th,\,ing o/^n_/ e can pos :]si bl _y desire in cin; ema. Films. like Mil(/ano _ Calibro 9 are _) the r e:=aso! n why I love cinem$a. This%( is an abso(%]lute mas)terpiece ?in all- reg ards and, (! % wit(\\hout -.^/exaggera.\@tion, one! of the gr]*]] eate!.st Cr`ime flicks ever made!( The / ingeniou%.s open: in$g scene alone is mo? re memorable th-^an most f=ilms get !!*in two hours.
一、《米兰%#九口径》是哪一年上映的？
《米兰%#九口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰%#九口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰%#九口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰%#九口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。
二、被称为动作片的开先河之作的《米兰%#九口径》，是费尔南多·迪·莱沃最好的作品吗?
从费尔南多·迪·莱沃斩获动作片最佳导演 我就觉得这部《米兰%#九口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰%#九口径》是他动作片的代表作品。
三、《米兰%#九口径》为什么可以成为经典？
提起其它，人们就肯定会说出《米兰%#九口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰%#九口径》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《米兰%#九口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有几年年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰%#九口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！
四、如何评价《米兰%#九口径》?
《米兰%#九口径》口碑非常好深受广大观众喜爱，《米兰%#九口径》一经播放立刻引来无数人点赞，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，星空影院（www.msdts.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰%#九口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片迷的认可。
五、《米兰%#九口径》动作片的主要内容
《米兰%#九口径》是一部动作片动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
《米兰%#九口径》Fernando Di Leo 's Milan][o ,Calibro :9 i]s an *^ @out-and-_@`out ma ]sterp/]i^.ece of I@=tal*(ia;n _#Crime cinema and_ , i!`n my^ opinion, one of the most astonishing cr_$_ime stories!$ ever t! old. Th] )e fi^rst film in Di Leo='s *$ exce@ `l] lent 'Milie:u' tri(-%) logy, Milano Calibro$= !!?@9 w$as fo,! ll) owed by *La ` M+-:ala Ord/ ina ( aka. Manhunt , also );1972) and the br[;illiant ?Il B) ^^os]:s (;1 973). The three films ar+# e n #ot connected st *or./y-wise, -) but @all three are ex? $(cellent, an^@d high=ly realistic portrayals of org=anized cri,me.; @ As far as I a;#)= m concern^ed Manhunt is (allthough exc ellent ` ) )sli ! ghtly \ ^inf\]erio _!r to this one an* d `Il Boss w /hic+h ] ?both s:t =a ^nd out [ %as abso; lut*)-e all-time hig:,,h^ lig%-hts ;of cr=^im!_e=! cinema. Milano Calibro 9 is the be- st of ,!them a ll, a f= + )ilm tha_ !t is astonishing in a]ll as);pec#ts, be\ it the** \in@genious pl!/o ;t that:.? , ap= art from a compelling st[*%o , r y an;d clever twi;sts, includes so cial criticism, ? the perfor#mances` , the ; * gritty atmosphere and suspense or the brill iant ,^^ score. I can har`@*dl$:.y +find the#* right w o%(\rds t$ o e$xpress my/ a _dm_i\+=rati,on f- (!]or t! h:i; ;@s ma s;+;terp[ +i ece which easily ranks am,`o.-n !g t%.he \ gre- ates /t Ga[ngster )f% =lick]- s ever bro))ug /ht to s%^_+%cre; -(en. *Gastone Mo%schi/!n stars as Ug(o( Piazza, a tough a:nd ! ell ip(tical ex-c%# o#nvict= wh!o has just :(been relea *#se]( d from priso`%(n. Immedi+atel*y *afte ^r his release, Ugo is )approached by] )*%[mem bers of the !^ Mila (n mob %/lead b y t\*he irasc*ible . ga- ngster [ Rocco ^_(M/(ario Ador/(?/f), `$ as t,hey suspec ? ,t him to _be res?pon- sible for the di /\\sappea$rance[ ` of.=] a lar ge s$.um of.(+ mone);=.y belonging to_ t`\hei,[\(r. bos`#s, an Amer/ica-n_ ] (Lion%el ^Stand;=er)-[ !@wh _o @co@/ntr_++ols the; ^- or^ (ganize[ d crim;e in Mi. lan.^ .. Milano Calibro 9 is a^ :film that deliv`)/er( s a ]n astonishingly realistic mo?` od of the und erworld like hardl ^y an*o@\-`$ther. Th@* e )\*i*ntriguing = sto ryline :goes in =ha nd with interesting characters,! raw atm @osphe]@re, suspense and br]%/^.eathta,)?ki:,@#ng action, social- criticism and bruta:l violenc[,e. The film is @/simply stunn/_\ing fr+! om !the beg )i/= nning to the end, w-`h ^ich is e #ven intensified by# the bril;:`l^%iant \)@scor^!?e, a collaboration of( the famous .compo-= ;se #r )`-L ;uis Enríquez Bacalov and the I )#t.$ :a lian Progressive Ro`)c. \k band Osanna. _((Ugo P` iazza must be one of the^*^ most charismatic gangster characte rs @ever in ci ne ? ma, an@;d#@ Gast.!one Mosch._in wa s _^;the pr*=efect cho# i^ce for the role.@@ Moschin delivers a br_ill/i% ant +^perfo ^)$rmance, an*+d the rest of ;the cast \is a\l$## so gre: +,a#,t)[;. M?* ario Adorf is irascible l,*i -ke a rabid *) @dog /# as the ferocious gangster R=^occo, a )!rol_\e that fits him ) l[ ike a# g`/lo#ve. The )!gre# a ,t +Lionel-. St,/ander _fi ts perfectly in.?; his ,,r ole of the A]merican Mafia Don. T_+h.^e t %wo co p char: act!!/ers in !^ t`/ he film are !^\playe ,`\d by two of^- the gr(:eatest regul?`ars of Ital!,^ian genre-cinema, Luigi Pistilli and.;- Frank( Wolff (who` committed s)([ui/%cide before the film was released). The_@ ravishing Barba# ra Bouche #.%t is astonis#^hing a nd incre dibly sexy in the role of Ugo Piaz;,za's s .*tr\\.ipper girlfrien;*d. Bouchet* is / ^both a stun)+#nin;- g beauty a nd an__ excellent!, ac_ tre$/ ss* `$ and this is doub tl]=-essly *[one [ of h ,er m+..!ost memorable roles*-.!^ Thi+ s % is also a %po]^@litical film +!and=_ direct,]or Di # Leo)- e) $m.\b_e%d*de! /d a:% lot of- s,[ocial criti#;cism about topics (like c[/,,orruption. T,-his fi_lm simply*, has# every ] th,\,ing o/^n_/ e can pos :]si bl _y desire in cin; ema. Films. like Mil(/ano _ Calibro 9 are _) the r e:=aso! n why I love cinem$a. This%( is an abso(%]lute mas)terpiece ?in all- reg ards and, (! % wit(\\hout -.^/exaggera.\@tion, one! of the gr]*]] eate!.st Cr`ime flicks ever made!( The / ingeniou%.s open: in$g scene alone is mo? re memorable th-^an most f=ilms get !!*in two hours.